The Publisher has shown largesse in matters of arrangement and presentation: the text of Hesperides are beautifully reproduced on pages uncluttered with footnotes, and even the textual collations appear in large enough type, and with sufficient use of interlinear spacing, to spare the no longer youth eyes of those readers most likely to study them closely ... Cane and Connolly's Herrick is a superb achievement.

Paul Davis, The Times Literary Supplement

Cain and Connolly's edition is remarkable ... [it] is bound to become the best guide to Herrick's verse. It deserves also to be regarded as one of the best sources of information about earlier 17th-century poetry.

Colin Burrow, London Review of Books

This major new edition of the poetry of Robert Herrick is a triumph ... the editors have produced a handsome publication befitting the increasingly vibrant and detailed scholarship surrounding the work of one of the masters of the English lyric poem ... Cain and Connolly's new edition accords with its subject perfectly. While the two volumes are weighty, their immense scholarship is lightly worn.

Patrick J Murray, The Review of English Studies

Se alle

The Cain and Connolly Complete Poetry is a fine thing, full of interest and unostentatious excellence, humane and generous in its sympathies while at the same time being ambitious and exacting in its scholarship. Herrick has been lucky in his editors.

Tom Lockwood, The Seventeenth Century

The edition provides an easily usable and citable, and most importantly accurate, text of the poems

Niall Allsopp, Notes and Queries

this new edition of Herricks Works is a monumental enterprise, brilliantly carried off.

Graham Parry, Spenser Review

This is the first edition for fifty years of one of the greatest of English lyric poets. Volume I concentrates on Herrick's large printed collection, Hesperides, published in 1648, and the product of nearly four decades of writing. The text is based on a collation of all fifty-seven known surviving copies of Hesperides. In addition it includes a much needed new biography, covering the suicide of his father, his apprenticeship as a goldsmith-banker, and his subsequent career in Cambridge, London, and Devon. It provides a survey of Herrick's fluctuating critical reputation-from 'the first in rank and station of English song-writers' to 'trivially charming'-and a detailed reconstruction of the original printing and publishing, just after the first Civil War, of a book which was the first 'Complete Works' to be published by an English poet. There is also a newly ordered sequence of Herrick's letters from Cambridge, his only surviving prose. An extensive commentary on Hesperides is placed in Volume II so that readers can use it side by side with the poems if they wish. The commentary gives new translations of Herrick's hundreds of classical allusions, and quotes his equally numerous Biblical ones, both of them far more extensive, and frequently far more playful, than has hitherto been realised. It also notes many parallels between Herrick's work and that of contemporaries, especially Jonson, Shakespeare, Burton, and John Fletcher, and his habit of echoing or quoting himself, a tendency which reinforces the strong sense of Herrick's persona dominating the collection. Full explanations are given of contemporary personal, political, and cultural references.
Les mer
This first volume of the new edition of Robert Herrick's poetry contains Herrick's only published collection, Hesperides (1648).
Introduction ; Hesperides ; His Noble Numbers ; Letters from Cambridge ; Appendix 1: Printing and Publishing History ; Appendix 2: Collation
Winner of the Roland H. Bainton Book Prize for Reference Works 2014
Contains by far the most thorough explanatory notes to date Prints texts of each manuscript poem with a history of its transmission Prints the scores of contemporary settings of Herrick's songs, along with detailed notes on performance Contains a thorough, much needed biography, the first scholarly one for over a century Text of Hesperides based on collation of all surviving copies found
Les mer
Tom Cain is Professor Emeritus of Early Modern Literature at Newcastle University. He has worked on Herrick for many years, but has also written a study of Tolstoy (1977), and edited Nicholas Hilliard's Art of Limning (1981). His Revels Plays edition of Jonson's Poetaster (1995) was followed by an edition of the manuscript poems left by Herrick's patron, Mildmay Fane, Earl of Westmorland (2001). He has written several essays on Donne and Jonson, and has just edited Jonson's Sejanus for the Cambridge Works of Ben Jonson (2012). Ruth Connolly is Lecturer in Seventeenth-Century Literature at Newcastle University. Her current work focusses on the circulation of Stuart lyric poetry in manuscript, and on early modern women's writing, especially by members of the Boyle family, Katherine Boyle Jones, Viscountess Ranelagh (1614-91) and Mary Boyle Rich, Countess of Warwick (1624-1678).
Les mer
Contains by far the most thorough explanatory notes to date Prints texts of each manuscript poem with a history of its transmission Prints the scores of contemporary settings of Herrick's songs, along with detailed notes on performance Contains a thorough, much needed biography, the first scholarly one for over a century Text of Hesperides based on collation of all surviving copies found
Les mer

Produktdetaljer

ISBN
9780199212842
Publisert
2013
Utgiver
Oxford University Press
Vekt
1024 gr
Høyde
240 mm
Bredde
162 mm
Dybde
39 mm
Aldersnivå
U, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
582

Biografisk notat

Tom Cain is Professor Emeritus of Early Modern Literature at Newcastle University. He has worked on Herrick for many years, but has also written a study of Tolstoy (1977), and edited Nicholas Hilliard's Art of Limning (1981). His Revels Plays edition of Jonson's Poetaster (1995) was followed by an edition of the manuscript poems left by Herrick's patron, Mildmay Fane, Earl of Westmorland (2001). He has written several essays on Donne and Jonson, and has just edited Jonson's Sejanus for the Cambridge Works of Ben Jonson (2012). Ruth Connolly is Lecturer in Seventeenth-Century Literature at Newcastle University. Her current work focusses on the circulation of Stuart lyric poetry in manuscript, and on early modern women's writing, especially by members of the Boyle family, Katherine Boyle Jones, Viscountess Ranelagh (1614-91) and Mary Boyle Rich, Countess of Warwick (1624-1678).