Produktdetaljer
Biografisk notat
Alexandra Palmer is the Nora E. Vaughan Fashion Costume Senior Curator at the Royal Ontario Museum, Toronto, Canada. She also teaches at the University of Toronto.Over the last century there has been a complete transformation of the fashion system. The unitary top-down fashion cycle has been replaced by the pulsations of multiple and simultaneous styles, while the speed of global production and circulation has become ever faster and more complex. Running in tandem, the development of artificial fibres has revolutionized the composition of clothing, and the increased focus on youth, sexuality, and the body has radically changed its design. From the 1920s flapper dress to debates over the burkini, fashion has continued to be deeply involved in society’s larger issues.
Drawing on a wealth of visual, textual and object sources and illustrated with over 100 images, A Cultural History of Dress and Fashion in the Modern Age presents essays on textiles, production and distribution, the body, belief, gender and sexuality, status, ethnicity, and visual and literary representations to illustrate the diversity and cultural significance of dress and fashion in the period.
List of Illustrations
Introduction
Alexandra Palmer (Royal Ontario Museum, Toronto, Canada)
Chapter 1 – Textiles
Susan Ward (Independent scholar and curator, USA)
Chapter 2 – Production and Distribution
Veronique Pouillard (University of Oslo, Norway)
Chapter 3 – The Body
Adam Geczy (University of Sydney, Australia) and Vicki Karaminas (Massey University, New Zealand)
Chapter 4 – Belief
Susan J. Palmer (Concordia University, Canada) and Paul Gareau (University of Alberta, Canada)
Chapter 5 – Gender and Sexuality
Annamari Vanska (Aalto University, Finland)
Chapter 6 – Status
Jane Tynan (Central Saint Martins, University of the Arts London, UK)
Chapter 7 – Ethnicity
Simona Segre Reinach (Bologna University, Italy)
Chapter 8 – Visual Representations
Rachael Barron-Duncan (Central Michigan University, USA)
Chapter 9 – Literary Representations
Irene Gammel (Toronto Metropolitan University, Canada) and Katherine Mulhallen (Toronto Metropolitan University, Canada)
Notes
Bibliography
Notes on Contributors
Index
The Cultural Histories are multi-volume sets that survey the social and cultural construction of specific subjects across six historical periods, broadly:
- Antiquity
- The Medieval Age
- The Early Modern Age
- The Age of Enlightenment
- The Age of Empire
- The Modern Age
The subjects covered range from Animals to Dress and Fashion, from Sport to Furniture, from Money to Fairy Tales. Each volume discusses the same themes in its chapters so that readers may gain an understanding of a period by reading an entire volume, or follow a theme through history by reading the relevant chapter in each volume. Each six-volume set is illustrated.
Titles are available as printed sets for libraries needing just one subject or preferring a one-off purchase and tangible reference for their shelves, or as part of a fully searchable digital library available to institutions by annual subscription or perpetual access (see www.bloomsburyculturalhistory.com).
PRAISE FOR THE SERIES
A Cultural History of Dress and Fashion
“Intriguing, surprising, and thought-provoking essays covering many cultural layers of dress history.”
CHOICE
A Cultural History of Fairy Tales
“A comprehensive treatise that belongs in every academic library concerned with a form of literature that has had broad appeal for centuries and continues to do so.”
CHOICE
A Cultural History of Hair
“A thick, tangled and deliciously idiosyncratic history of hair.”
Times Literary Supplement
A Cultural History of Law
“These introductions should be of great use to scholars from across the periods.”
Law & Literature
A Cultural History of Peace
“The set is a good introduction to the study of peace and encourages looking at world history in a new way.”
CHOICE
A Cultural History of Theatre
“All six volumes are aesthetically attractive, with well-chosen cover illustrations in color and numerous halftones throughout. Page layouts with wide margins, good paper, subtitles, generous bibliographies, notes, and index all add to the appeal.”
CHOICE
A Cultural History of Tragedy
“A highly contemporary work, alert to politics, social theory and sexuality.”
London Review of Books
A Cultural History of Western Empires
“Students seeking a comparative, interdisciplinary, and compelling account of the spread of Western empires will find much of interest here.”
CHOICE
A Cultural History of Work
“[Programs] such as economics, American and world history, women’s studies, and art history will benefit from the information herein.”
American Reference Books Annual