We know the Renaissance as a key period in the history of Europe. It saw the development of court and urban cultures, witnessed the first global voyages of discovery and gave rise to the Reformation and Counter Reformation. It also started with the ‘invention’ of oil painting, linear perspective and moveable type, all visual technologies. Does that mean, as has been suggested, that the Renaissance stands for the 'ascendancy of the eye'? If so, then what happened to the sensory extremes which the famous Dutch historian Johan Huizinga still perceived in the 15th century? Did they simply disappear? Or is there another history to be told, a history of a surprising continuity, not only of the sense of hearing but also of the ‘lower’ senses – those of taste, smell and touch? And was the Renaissance not first and foremost a time of deep sensory anxiety? This volume, assembling nine outstanding specialists, seeks to answer these questions while offering a lively and 'sensational' portrait of the period. A Cultural History of the Senses in the Renaissance presents essays on the following topics: the social life of the senses; urban sensations; the senses in the marketplace; the senses in religion; the senses in philosophy and science; medicine and the senses; the senses in literature; art and the senses; and sensory media.
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Introduction: Entering the Sensory Worlds of the Renaissance Herman Roodenburg (Free University of Amsterdam, The Netherlands) 1. The Social Life of the Senses: Architecture, Food and Manners Niall Atkinson (University of Chicago, USA) 2. Urban Sensations: Attractive and Repulsive Peter Burke (University of Cambridge, UK) 3. The Senses in the Marketplace: Sensory Knowledge in a Material World Evelyn Welch (Victoria & Albert Museum, UK) 4. The Senses in Religion: Towards the Reformation of the Senses Matthew Milner (McGill University, Canada) 5. The Senses in Philosophy and Science: From the Nobility of Sight to the Materialism of Touch Danijela Kambaskovic (University of Western Australia) and Charles T. Wolfe (Ghent University, Belgium) 6. Medicine and the Senses: Physicians, Sensation, and the Soul Stephen Pender (University of Windsor, Canada) 7. The Senses in Literature: Renaissance Poetry and the Paradox of Perception Holly Dugan (George Washington University, USA) 8. Art and the Senses: Representation and Reception of Renaissance Sensations François Quiviger (Warburg Institute, UK) 9 Sensory Media: The Circular Links between Orality and Writing Federico Barbierato (University of Verona, Italy) Notes Bibliography Notes on contributors Index
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Many of the essays are lavishly illustrated; all are written with elegance and an attentive eye to the volume’s potential dual readership, nonspecialists as well as specialists. The collective accomplishment is no small feat, and the result is deeply pleasurable to read while evincing somewhat less of the critical ferment on display in some of the year’s other studies in adjacent areas. I suspect it will prove a much-appreciated resource in advanced survey courses of the era.
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The definitive overview of the role of the senses in the Renaissance, covering themes such as religion, philosophy, science, medicine, literature, art and media.
The first definitive overview of the senses through history covering 2,500 years from antiquity to the present day
The Cultural Histories are multi-volume sets that survey the social and cultural construction of specific subjects across six historical periods, broadly: - Antiquity - The Medieval Age - The Renaissance - The Age of Enlightenment - The Age of Empire - The Modern Age The subjects covered range from Animals to Dress and Fashion, from Sport to Furniture, from Money to Fairy Tales. Each volume discusses the same themes in its chapters so that readers may gain an understanding of a period by reading an entire volume, or follow a theme through history by reading the relevant chapter in each volume. Each six-volume set is illustrated. Titles are available as printed sets for libraries needing just one subject or preferring a one-off purchase and tangible reference for their shelves, or as part of a fully searchable digital library available to institutions by annual subscription or perpetual access (see www.bloomsburyculturalhistory.com). PRAISE FOR THE SERIES A Cultural History of Dress and Fashion “Intriguing, surprising, and thought-provoking essays covering many cultural layers of dress history.” CHOICE A Cultural History of Fairy Tales “A comprehensive treatise that belongs in every academic library concerned with a form of literature that has had broad appeal for centuries and continues to do so.” CHOICE A Cultural History of Hair “A thick, tangled and deliciously idiosyncratic history of hair.” Times Literary Supplement A Cultural History of Law “These introductions should be of great use to scholars from across the periods.” Law & Literature A Cultural History of Peace “The set is a good introduction to the study of peace and encourages looking at world history in a new way.” CHOICE A Cultural History of Theatre “All six volumes are aesthetically attractive, with well-chosen cover illustrations in color and numerous halftones throughout. Page layouts with wide margins, good paper, subtitles, generous bibliographies, notes, and index all add to the appeal.” CHOICE A Cultural History of Tragedy “A highly contemporary work, alert to politics, social theory and sexuality.” London Review of Books A Cultural History of Western Empires “Students seeking a comparative, interdisciplinary, and compelling account of the spread of Western empires will find much of interest here.” CHOICE A Cultural History of Work “[Programs] such as economics, American and world history, women’s studies, and art history will benefit from the information herein.” American Reference Books Annual
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Produktdetaljer

ISBN
9781350077904
Publisert
2018-09-20
Utgiver
Vendor
Bloomsbury Academic
Vekt
463 gr
Høyde
244 mm
Bredde
169 mm
Aldersnivå
U, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
288

Redaktør

Biographical note

Herman Roodenburg holds the Chair of The Historical Anthropology and Ethnology of Europe at the Free University of Amsterdam and is also affiliated with the Meertens Institute, of the Royal Netherlands Academy of Arts and Sciences. Among his recent English publications are The Eloquence of the Body: Perspectives on Gesture in the Dutch Republic (2004), Forging European Identities, 1400-1700 (2007), Body and Embodiment in Netherlandish Art (2008) and The Passions in the Arts of the Early Modern Netherlands (2010).