“<em>The Disturbing Profane</em> is the book on hip hop that I’ve been waiting for. Elegantly written and meticulously researched, seamlessly weaving together critical theory and Black studies, this work not only guides us to a new understanding of the complex and imbricate relationship between the sacred and profane; it does so by taking hip hop itself seriously as conceptual and theoretical interlocutor. Joseph R. Winters’s perceptive and discerning analyses of the music make this a must-read.” - Candice M. Jenkins, author of <i>Black Bourgeois: Class and Sex in the Flesh</i><br /> <br />“As Joseph R. Winters points out, there are dimensions of our understanding of hip hop - and by extension our sense of religion - that can help us rethink our social and cultural worlds. Winters outlines how the sacred is manifest within hip hop culture - acknowledging its more widely embraced dimensions, while privileging what he sees as the edge where disruptive and contaminated elements of the sacred are pronounced and the nature of Blackness (and anti-Blackness) most amplified. Pick up and read this book, and in doing so have your sense of our social world amplified and refined through the sights and sounds that define hip hop as an outlet for the ‘volatile sacred.’” - Anthony B. Pinn, author of <i>Deathlife: Hip Hop and Thanatological Narrations of Blackness</i>