"Fleishman takes us on an eye-opening journey in which narrative flamboyance knowingly and craftily signifies any number of shifting, elusive, and evolving aspects of queer sexuality; this was a story waiting for Fleishman to tell it."—Michael Lucey, University of California, Berkeley <br /><br />“A scintillating book. <i>Flamboyant Fictions </i>is highly original and beautifully written. Fleishman offers elegant, economical, and brilliant reflections on difficult questions about queerness and art.”—Emma Wilson, University of Cambridge

Exposes a stylistic tradition of flamboyantly failed passing in queer literature and film

This book posits formal experimentation as an index for evolving expressions of male homosexuality from literary modernism to the German New Wave and the present day. Ian Fleishman exposes a tradition of flamingly failed passing that is itself a surreptitious mode of passing: the flaunting of queer style as an intentionally unconvincing cover for queer content. Exploring a corpus of films and novels by AndrÉ Gide, Jean Genet, Rainer Werner Fassbinder, Werner Schroeter, FranÇois Ozon, and Xavier Dolan, among others, Flamboyant Fictions: The Failed Art of Passing intervenes in trenchant debates about queer agency, visibility, negativity, and disidentification. Mapping queer strategies of storytelling onto queer practices of self-invention, Flamboyant Fictions wagers that it is precisely in instances of conflict between these auteurs and their inventions that narrative becomes a laboratory for testing the sovereignty and self-determination of queer identity.

Les mer
Exposes a stylistic tradition of flamboyantly failed passing in queer literature and film. This book posits formal experimentation as an index for evolving expressions of male homosexuality from literary modernism to the German New Wave and the present day.
Les mer
Acknowledgments
Introduction: Agency as Failed Passing
Part 1: Counterfeit Identities
Chapter 1: Counterfeit Narratives: AndrÉ Gide’s Queer Coinages
Chapter 2: Counterfeit Sexualities: Performativity in Jean Genet
Part 2: Embodied Abstraction
Chapter 3: Camp/Abject: Queer Failure in Rainer Werner Fassbinder
Chapter 4: The Wound in Bloom: Werner Schroeter’s Gay Stigmata
Part 3: Token Subversion
Chapter 5: New Camp Extremity: Adaptation and Experimentation in FranÇois Ozon
Chapter 6: Not Nothing: Xavier Dolan’s Vanishing Gay Aesthetic
Coda: Flamboyant Fictions
Notes
Bibliography
Les mer

Produktdetaljer

ISBN
9780810148031
Publisert
2025-03-31
Utgiver
Northwestern University Press
Vekt
454 gr
Høyde
229 mm
Bredde
152 mm
AldersnivĂĽ
UP, 05
SprĂĽk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
288

Forfatter

Biografisk notat

Ian Fleishman is the inaugural chair of the Department of Cinema and Media Studies at the University of Pennsylvania. He is the author of An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino (Northwestern University Press).