[A] worthy addition to any interdisciplinary study of Herzog's films - and the influence of alternative German romanticism as well as formal romanticism on moviemaking . . . . [A]n impressive unravelling of Werner Herzog's valuable contribution to cinema through a viewpoint not previously attempted, shining a light on some intriguing cultural influences and their effects on this fascinating filmmaker.

FILM IRELAND

Laurie Johnson's book expands Herzog criticism in important aspects.

HANS-HELMUT-PRINZLER.DE

Johnson . . . offers a new perspective on the romanticism/Herzog connection. . . . Forgotten Dreams is an in-depth analysis of certain romantic tendencies and how one might read Herzog's films as visual and - to a lesser degree - aural representations of the same. [The book] is an engaging contribution to the philosophical and cultural history of German Romanticism . . . [and shows] how this movement may yield insights into film analysis and history. It is also a worthy resource for Herzog scholars for its discussion of his lesser-known films. Literary, cultural, and film scholars will find many valuable insights in Laurie Ruth Johnson's interdisciplinary study.

MONATSHEFTE

Offers not only an analytical study of the films of Herzog, perhaps the most famous living German filmmaker, but also a new reading of Romanticism's impact beyond the nineteenth century and in the present. Werner Herzog (b. 1942) is perhaps the most famous living German filmmaker, but his films have never been read in the context of German cultural history. And while there is a surfeit of film reviews, interviews, and scholarly articles on Herzog and his work, there are very few books devoted to his films, and none addressing his entire career to date. Until now. Forgotten Dreams offers not only an analytical study of Herzog's films but also a new reading of Romanticism's impact beyond the nineteenth century. It argues that his films re-envision and help us better understand a critical stream in Romanticism, and places the films in conversation with other filmmakers, authors, and philosophers in order to illuminate that critical stream. The result is a lively reconnection with Romantic themes and convictions that have been partly forgotten in the midst of Germany's postwar rejection of much of Romantic thought, yet are still operative in German culture today. The film analyses will interest scholars of film, German Studies, and Romanticism as well as a broader public interested in Herzog's films and contemporary German cultural debates. The book will also appeal to those interested in the ongoing renegotiation - by Western and other cultures - of relationships between reason and passion, civilization and wild nature, knowledge and belief.
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Offers not only an analytical study of the films of Herzog, perhaps the most famous living German filmmaker, but also a new reading of Romanticism's impact beyond the nineteenth century and in the present.
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List of Illustrations Acknowledgments List of Abbreviations Introduction: Werner Herzog's Films and the Other Discourse of Romanticism Image and Knowledge Surface and Depth Beauty and Sublimity Man and Animal Sound and Silence Conclusion: Herzog's Romantic Cinema Notes Bibliography Index
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Produktdetaljer

ISBN
9781571139115
Publisert
2016
Utgiver
Boydell & Brewer Ltd
Vekt
650 gr
Høyde
229 mm
Bredde
152 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
312