[B]reaks new ground . . . in its exploration of gender in East German cinema. . . . Time and space do not permit me to address all of the articles in [this] ?ne volume . . . . Suf?ce it to note that all of them are well worth reading, even (or especially) where they may spur disagreement or controversy.
- Stephen Brockmann, MONATSHEFTE
[This collection of essays] shows once again what new perspectives on the film history and audiovisual culture of the GDR can be opened by the application of feminist, queer, and postcolonial theory, by a comprehensive historical contextualization, and by looking at parallel or related developments outside the GDR. . . . [T]he editors lay out in their introduction the organizational, political, and ideological contexts of production and their effects on the representation of sex, gender, and sexuality.
- Anna Luise Kiss, FILMBLATT
[T]his is the book so many German film and DEFA researchers have been waiting for!...All [the] essays are of high academic standard and a great pleasure to read...[T]his volume is a commendable achievement and will inspire researchers well acquainted with the GDR, as well as serving as an introduction to East German film.
- Stephan Ehrig, MODERN LANGUAGE REVIEW
Ultimately East German socialism posed the question of reconfiguring regimes of gender, intimacy, and labor, a question that East German filmmakers took on without supplying solutions that only life itself could provide. [This book] is an excellent contribution to the understanding of how this dialectic of happiness plays out in the film culture of the GDR.
- Hunter Bivens, GERMAN STUDIES REVIEW