This is a special issue of the journal Paragraph.The last decade has seen a considerable growth of interest in Genet, now widely recognized as one of the most important French writers of the twentieth-century. From the very beginning, Genet attracted the attention of the major thinkers of his time, as witnessed by the volumes both Sartre and Derrida devoted to him. But recently his writing has proven a mine for readings informed by a whole variety of theories. Including Derrida’s first text on Genet since Glas and spanning the spectrum from a Deleuzian study of the event to speech-act analysis and queer theorizations of Genetian power relationships, this collection of articles reflects the diversity of the theoretical approaches currently being applied to his work.
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This is a special issue of Paragraph looking at the work of Genet.
Introduction: Genet and Theory; MAIRÉAD HANRAHAN, Countersignature; JACQUES DERRIDA, Sculpting Time; MAIRÉAD HANRAHAN, The Divided Event: The Aesthetics and Politics of Virtuality in Funeral Rites; SCOTT DURHAM, A Restive Word; TOM CONLEY, Disseminating Phallic Masculinity: Seminal Fluidity in Genet's Fiction; ELIZABETH STEPHENS, Genet's The Blacks: 'And Why Does One Laugh at a Negro?'; BÉNÉDICTE BOISSERON AND FRIEDA EKOTTO, Speech without Acts: Politics and Speech-Act Theory in Genet's The Balcony; CLARE FINBURGH, Bataille's Battle.
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Produktdetaljer
ISBN
9780748621880
Publisert
2005-09-23
Utgiver
Edinburgh University Press
Vekt
300 gr
Høyde
234 mm
Bredde
156 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
146
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