In this volume leading scholars assess the contributions of Max Reinhardt, Leopold Jessner and Harley Granville Barker to European theatre. Their work represents the cultural shift from traditional theatre practices of the 19th century to the rise of Modernism and its means of establishing theatre as an art form in its own right. Uncovering the theories and visions of theatre held by Reinhardt, Jessner and Barker, this volume establishes the contribution and importance of these directors in the development of modern theatre and their significance alongside the better-known names of Stanislavski and Brecht.
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List of Illustrations Notes on Contributors Acknowledgements Introduction to the Series, Simon Shepherd (Royal Central School of Speech and Drama, UK) Introduction to Volume 4, Michael Patterson (De Montfort University, UK) Max Reinhardt 1. Max Reinhardt and the Theatre of His Time, Michael Patterson (De Montfort University, UK) 2. Max Reinhardt and his Company, Ann-Christine Simke (University of Glasgow, UK) Leopold Jessner 3. Leopold Jessner: Father of Modern Regietheater (Director’s Theatre) in Germany, Matthias Heilmann (Municipal Theatre of Fürth, Germany) 4. Searching for Frictions in Time: Leopold Jessner as a Director of the Contemporary, Sascha Förster (University of Cologne, Germany) Harley Granville Barker 5. Harley Granville Barker: Director Extraordinary, Colin Chambers (Kingston University, UK) 6 ‘The Mind Goes Back to the Golden Fairies…’: Granville Barker’s Choral Work, Philippa Burt (Goldsmiths University, UK) Notes Bibliography Index
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This volume offers an authoritative account of the work, lineage and legacy of Max Reinhardt, Leopold Jessner and Harley Granville Barker.
Substantial, authoritative account of the work of 3 of the most important stage directors from the first half of the 20th century
The Great Stage Directors series offers an authoritative account of the work, lineage and legacy of major theatre directors from the late 19th century to the present. Arranged in two sub-series of European and North American directors, the eight volumes in each set provide a comprehensive survey and analysis of the practices and theoretical ideas of 24 prominent theatre directors, showing their origins and development and placing them in a historical context that includes other significant directors and theatre makers. Written by a team of experts, this series combines established accounts with new research and interpretation developed specifically for the series. A product of rigorous and contemporary scholarship, these well-illustrated volumes are essential reading for theatre practitioners, academics and students.
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Produktdetaljer

ISBN
9781350445802
Publisert
2024-04-18
Utgiver
Vendor
Methuen Drama
Høyde
234 mm
Bredde
156 mm
Aldersnivå
U, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
224

Redaktør
Series edited by

Biographical note

Michael Patterson was Emeritus Professor of Theatre at De Montfort University, UK. His publications include: The Revolution in German Theatre 1900-1933 (1981); Peter Stein (1981); Strategies of Political Theatre (2003); The Oxford Dictionary of Plays (2005); The Oxford Guide to Plays (2007); for Bloomsbury he edited Büchner: The Complete Plays (1987); and has written over 20 articles and chapters in books.