Heather Clark has given the story a new twist ... chapters on Hughes and the late Plath are excellently done. They document vividly and with scholarly authority how creatively involved the couple were with each other.

John Xiros Cooper, Notes and Queries

The range of Clark's comparative approach is impressive... Clark writes with admirable clarity and perspicacity, and offers a study that is both broad and deep; it is testament to the poise, grace, and generosity of this book that it might work as an introduction to Plath and Hughes's work for an undergraduate or a careful refinement of an ongoing debate.

William May, English

Clark's lucid and meticulous project traces the poets' careers through a series of shared concerns ... before exploring the way they continually 'remade' each other throughout the careers, and posthumously. ... The range of Clark's comparative approach is impressive here ... Clark writes with admirable clarity and perspicacity, and offers a study that is both broad and deep; it is a testament to the poise, grace, and generosity of this book that it might work as an introduction to Plath and Hughes's work for an undergraduate or a careful refinement of an ongoing debate.

William May, English

Se alle

a significant book ... Clark not only clarifies the troubled relationship between Hughes and Plath, but also advances our ideas about how to understand literary influence, especially among artistic couples ... appreciated by students of Hughes and Plath, who will gain myriad new insights about the two.

Diederik Oostdijk, English Studies

Throughout their marriage, Sylvia Plath and Ted Hughes engaged in a complex and continually evolving poetic dialogue about writing, love, and grief. Although scholars have commented extensively on the biographical details of Plath's and Hughes's marriage, few have undertaken a systematic intertextual analysis of the poets' work. The Grief of Influence reappraises this extraordinary literary partnership, and shows that the aesthetic and ideological similarities that provided a foundation for Plath's and Hughes's creative marriage - such as their mutual fascination with D. H. Lawrence and motifs of violence and war - intensified their artistic rivalry. Through close readings of both poets' work and analysis of new archival sources, Clark reveals for the first time how extensively Plath borrowed from Hughes and Hughes borrowed from Plath. She also explores the transatlantic dynamics of Plath's and Hughes's 'colonial' marriage within the context of the 1950s Anglo-American poetry scene and demonstrates how each poet's misreadings of the other contributed to the damaging stereotypes that now dominate the Plath-Hughes mythology. Following Plath and Hughes through alternating periods of collaboration and competition, The Grief of Influence shows how each poet forged a voice both through and against the other's, and offers a new assessment of the twentieth century's most important poetic partnership.
Les mer
The Grief of Influence follows Sylvia Plath and Ted Hughes through alternating periods of collaboation and competition, showing how each poet forged a voice both through and against the other's, and offering a new assessment of the twentieth century's most important poetic partnership.
Les mer
INTRODUCTION ; 1. Affinities and Assimilations ; 2. Secret Anxieties ; 3. The Other Two ; 4. Colonial Contexts ; 5. The Early Dialogue ; 6. Disarming the Enemy ; 7. Tracking the Thought-Fox ; 8. Hughes's Plath ; 9. Crow and Counter-revision ; 10. The Old Factory Demolished: Wodwo to Moortown ; 11. Fixed Stars: Birthday Letters ; BIBLIOGRAPHY
Les mer
The first intertextual analysis of Plath's and Hughes's poetry since the opening of Ted Hughes's archive at Emory University Contains analysis of unpublished manuscripts, including Hughes's Birthday Letters poems and a selection of Plath's lost novel, Falcon Yard Offers a cultural history of the 1950s Anglo-American poetry scene in addition to close readings of Plath's and Hughes's work
Les mer
Heather Clark is Professor of Literature at Marlboro College and teaches Irish Studies at NYU's Glucksman Ireland House. She is the author of The Ulster Renaissance: Poetry in Belfast 1962-1972 (OUP, 2006), which won the Donald Murphy Prize for Distinguished First Book and the Robert Rhodes Prize for Books on Literature from the American Conference for Irish Studies. She has received fellowships from the National Endowment for the Humanities and Emory University's Manuscript, Archive, and Rare Book Library, and reviews Irish poetry regularly for the Harvard Review. She lives in Brooklyn, New York, with her husband and daughter.
Les mer
The first intertextual analysis of Plath's and Hughes's poetry since the opening of Ted Hughes's archive at Emory University Contains analysis of unpublished manuscripts, including Hughes's Birthday Letters poems and a selection of Plath's lost novel, Falcon Yard Offers a cultural history of the 1950s Anglo-American poetry scene in addition to close readings of Plath's and Hughes's work
Les mer

Produktdetaljer

ISBN
9780199558193
Publisert
2010
Utgiver
Oxford University Press
Vekt
564 gr
Høyde
241 mm
Bredde
165 mm
Dybde
24 mm
Aldersnivå
UU, UP, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
270

Forfatter

Biografisk notat

Heather Clark is Professor of Literature at Marlboro College and teaches Irish Studies at NYU's Glucksman Ireland House. She is the author of The Ulster Renaissance: Poetry in Belfast 1962-1972 (OUP, 2006), which won the Donald Murphy Prize for Distinguished First Book and the Robert Rhodes Prize for Books on Literature from the American Conference for Irish Studies. She has received fellowships from the National Endowment for the Humanities and Emory University's Manuscript, Archive, and Rare Book Library, and reviews Irish poetry regularly for the Harvard Review. She lives in Brooklyn, New York, with her husband and daughter.