[A] beautifully produced and judiciously illustrated collection.

- Keith Miller, 4 stars, Daily Telegraph

The essay on Lucian Freud...is completely brilliant. I feel uplifted by it... It is a wonderful book.

- Celia Paul,

I became entirely mesmerised by Barnes’ prose… <i>Keeping an Eye Open</i> is a rich and thoughtful book that should not be rushed. These essays are too full of chiaroscuro, their flashes of illumination too fascinating, their connections too interesting for a cursory reading.

Independent

Se alle

It’s a readable, riveting, informed work with sharp, marvelous anecdotes and observations. In this beautifully illustrated book you’re in great company. Barnes is a sane and steady guide… Wonderful stuff.

Irish Independent

Extremely rewarding, informative, attentive, thoughtful, entertaining essays.

Evening Standard

The updated edition of Julian Barnes’ best-loved writing on art, with seven new exquisite illustrated essays

‘Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting. But we are very far from reaching that state. We remain incorrigibly verbal creatures who love to explain things, to form opinions, to argue... It is a rare picture which stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.’

Julian Barnes began writing about art with a chapter on Géricault’s The Raft of the Medusa in his 1989 novel A History of the World in 10½ Chapters. Since then he has written a series of remarkable essays, chiefly about French artists, which trace the story of how art made its way from Romanticism to Realism and into Modernism.

Fully illustrated in colour throughout, Keeping an Eye Open contains Barnes’ essays on Géricault, Delacroix, Courbet, Manet, Morisot, Fantin-Latour, Cézanne, Degas, Cassatt, Redon, Van Gogh, the legendary critic Huysmans, Bonnard, Vuillard, Vallotton, Braque, Magritte, Oldenburg, Howard Hodgkin and Lucian Freud. It also offers new perspectives on the fruitful relationship between writers and artists, and on the rivalry among Russian collectors of French art in the late 19th century.

‘A typically elegant and absorbing book by one of the greatest contemporary English writers.’ Guardian *Books of the Year*
‘Gave me a new confidence in how to understand and, more importantly, enjoy wandering around an exhibition.’ Mariella Frostrup
‘My book of the year.’ Natalie Haynes, Independent

Les mer

The updated edition of Julian Barnes’ best-loved writing on art, with seven new exquisite illustrated essays

‘Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation.

Les mer
<b>An updated edition of the highly acclaimed collection of writing on art by one of Britain's best-loved authors, with seven new illustrated essays.</b>

Produktdetaljer

ISBN
9781787332898
Publisert
2021
Utgiver
Vendor
Jonathan Cape Ltd
Vekt
924 gr
Høyde
229 mm
Bredde
155 mm
Dybde
37 mm
Aldersnivå
01, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
384

Forfatter

Biographical note

Julian Barnes is the author of thirteen novels, including The Sense of an Ending, which won the 2011 Man Booker Prize for Fiction, and Sunday Times bestsellers The Noise of Time and The Only Story. He has also written three books of short stories, four collections of essays and three books of non-fiction, including the Sunday Times number one bestseller Levels of Life and Nothing To Be Frightened Of, which won the 2021 Yasnaya Polyana Prize in Russia. In 2017 he was awarded the Légion d'honneur.