"<i>Laura</i> is an extraordinarily sustained, compelling, and critically resourceful reading of the lyric Petrarch and three of his major English successors. This book counts as a major revision of the critical discourse of ‘Petrarchanism.’ Estrin not only produces this critique, however; she clinches it with readings so concentrated, well-founded, and fully argued that her successors will have to meet a new standard of proof."-Jonathan Crewe, Dartmouth College "Estrin’s readings are intricate and persuasive, and revealing. Her writing, at once deeply poetic and nuanced, is extremely clear. She argues for a kind of fluidity of the poetic subject that allows for gender crossings and transgressions; the resulting exploration of male subjectivity and feminine representations is immensely suggestive and potentially provocative."-Elizabeth D. Harvey, University of Western Ontario

How do men imagine women? In the poetry of Petrarch and his English successors-Wyatt, Donne, and Marvell-the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies.
Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet’s love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-FranÇois Lyotard and Judith Butler to situate female desire in the poem’s framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts.
Estrin’s Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally.
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Acknowledgments xi
Note on Editions xiv
Introduction: Gender Performance and Genre Slippage 1
PETRARCH
Inverting the Order: Laura as Eve to Petrarch's Adam 41
"Like a Man Who Thinks and Weeps and Writes": Laura as Mercury to Petrarch's Battus 61
WYATT
Taking Bread: Wyatt's Revenge in the Lyrics and Sustenance in the Psalms 93
"Liking This": Telling Wyatt's Feelings 123
DONNE
Small Change: Defections from Petrarchan and Spenserian Poetics 149
Sylvia Transformed: Returning Donne's Gifts 180
"A Pregnant Bank": Contracting and Abstracting the "You" in Donne's "A Valediction of My Name in the Window" and "Elegy: Change" 201
MARVELL
"Busie Companies of Men": Appropriations of Female Power in "Damon the Mower" and "The Gallery" 227
"Preparing for Longer Flight": Marvell's Nymph and the Revenge of Silence 255
A-Mazing and A-Musing: After the Garden in "Appleton House" 278
Musing Afterward 304
Notes 319
Index 341
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Produktdetaljer

ISBN
9780822314998
Publisert
1994-12-15
Utgiver
Vendor
Duke University Press
Vekt
680 gr
Høyde
235 mm
Bredde
156 mm
Aldersnivå
UU, UP, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
277

Forfatter

Biografisk notat

Barbara L. Estrin is Professor of English at Stonehill College in North Easton, Massachusetts. She is the author of The Raven and the Lark: Lost Children in Literature of the English Renaissance.