<p>’Potvin excels in carefully detailing historical and cultural contexts; in identifying tensions, points of contradiction, and fractures in the various discourses he examines; and in elucidating those boundaries that curtailed intimacy between men but also prompted a desire for more. ... He is throughout a skilled critic of visual cultures - in particular of Crane's drawings and of photographic portraits.’ Victorian Studies </p><p>’This pioneering book says something truly significant about the epistemology of art history’s closet and the presence/absence of the queer in the writing of art’s histories. Like feminism of the late twentieth century, queer theory of the early twentieth-first century is now a maturing field and art history needs to respond to its call not just for interventions in the re-writing/thinking/understanding of historical figures, events, movements but also, as Potvin suggests, for a fundamental shift in paradigmatic thinking. This book, thus, offers not only new ways to think about paradigms of representing and reading the male body but also more expressly about the interrelationship of the decorative and the queer.’ Art History</p>