“<i>Matters of Gravity</i> is more than a collection of tour de force essays, although it is certainly that. It maps an important theoretical and critical project, reclaiming the ‘lively arts’ and exploring the kinetic and affective dimensions of popular culture. Scott Bukatman’s breathless prose and conceptual pyrotechnics embody popular culture’s dynamism, making us feel it, making us want to dance it. His writing crackles with wit, sparkles with vividness, and throbs with his own passionate engagement with his topic.”-<b>Henry Jenkins</b>, coeditor of <i>Hop on Pop: The Politics and Pleasures of Popular Culture</i> “Scott Bukatman is one of the very top figures in the attempt of cultural studies to understand modernity by looking at the interlocking of such phenomena as urbanism, new forms of masculinity, new technologies, and the role of the body.”-<b>Dana Polan</b>, author of the British Film Institute books<i> In a Lonely Place</i> and<i> Pulp Fiction</i>
Considering theme parks, cyberspace, cinematic special effects, superhero comics, and musical films, Matters of Gravity highlights phenomena that make technology spectacular, permit unfettered flights of fantasy, and free us momentarily from the weight of gravity and history, of past and present. Bukatman delves into the dynamic ways pop culture imagines that apotheosis of modernity: the urban metropolis. He points to two genres, musical films and superhero comics, that turn the city into a unique site of transformative power. Leaping in single bounds from lively descriptions to sharp theoretical insights, Matters of Gravity is a deft, exhilarating celebration of the liberatory effects of popular culture.
Acknowledgments xv
Introduction 1
One Remembering Cyberspace
1 There's Always . . . Tomorrowland: Disney and the Hypercinematic Experience 13
2 Gibson's Typewriter 32
3 X-Bodies: The Torment of the Mutant Superhero (1994) 48
Two Kaleidoscopic Perceptions
4 The Artificial Infinite: On Special Effects and the Sublime 81
5 The Ultimate Trip: Special Effects and Kaleidoscopic Perception 111
Three The Grace of Beings
6 Taking Shape: Morphing and the Performance of Self 133
7 Syncopated City: New York in Musical Film (1929-1961) 157
8 The Boys in the Hoods: A Song of the Urban Superhero (2000) 184
Notes 225
Bibliography 257
Index 270
Produktdetaljer
Biografisk notat
Scott Bukatman is Associate Professor of Art and Art History at Stanford University. He is the author of Terminal Identity: The Virtual Subject in Postmodern Science Fiction, published by Duke University Press.