Produktdetaljer
Biografisk notat
Brian McFarlane is the editor or co-editor of more than thirty books and hundreds of articles and reviews, He is the editor of The Encyclopedia of British Film and co-editor of The Oxford Companion to Australian Film. He is Adjunct Professor in the Department of Media and Communications at Swinburne University of Technology, Melbourne, Australia.
Focusing on the incidence of the ‘Westerns’ film genre in the 120-odd years of Australian cinema history, exploring how the American genre has been adapted to the changing Australian social, political and cultural contexts of their production, including the shifting emphases in the representation of the Indigenous population.
The idea for the book came to the author while he was writing two recent articles. One was an essay for Screen Education on the western in Australian cinema of the 21st century; the other piece was the review of a book entitled Film and the Historian, for the online journal Inside Story . Between the two, he saw the interesting prospect of a book-length study of the role of the western genre in Australia’s changing political and cultural history over the last century – and the ways in which film can, without didacticism, provide evidence of such change. Key matters include the changing attitudes to and representation of Indigenous peoples and of women's roles in Australian Westerns.
When one considers that the longest narrative film then seen in Australia, and quite possibly the world was Charles Tait’s The Story of the Kelly Gang (1906), it is clear that Australia has some serious history in the genre, and Kelly has ridden again in Justin Kurzel’s 2020 adaptation of Peter Carey’s The True History of the Kelly Gang.
Outback is essentially a study of how the Western genre has evolved in Australian cinema history over more than a century. The book reflects on what constitutes the nature of the genre, on its prolificacy in Australia, and on some of the recurring thematic and cultural concerns that have been matters of ongoing interest. 17 b&w illus.
Acknowledgements
Chapter One: Australian Westerns?
Chapter Two: What constitutes a ‘Western’?
Chapter Three: Outlaws at large: the bushranging phenomenon
Chapter Four: 1940s-1960s: Australians and others tackle the genre
Chapter Five: The ‘revival’: Snowy River and others
Chapter Six: The Western in the new century
Conclusion
Select Bibliography
Index
A study of the role of the Western film genre in Australia’s changing political and cultural landscape.
Focusing on the influence of the cinematic Western in Australian cinema history, Outback explores how the American genre has been adapted to the changing Australian social, political, and cultural contexts of their production, including the shifting emphases in the representation of the Indigenous population.
Brian McFarlane emphasizes the ways film can, without didacticism, provide evidence of changing politics and culture. McFarlane explores Australian history with the genre by analyzing such films as Charles Tait’s 1906 The Story of the Kelly Gang and Justin Kurzel’s 2020 adaptation of Peter Carey’s The True History of the Kelly Gang. He further explores other key matters, including the changing attitudes to and representation of Indigenous peoples and of women's roles in Australian Westerns.
Brian McFarlane is adjunct professor in the Department of Media and Communications at Swinburne University of Technology in Melbourne, Australia. He is the editor of The Encylopedia of British Film and coeditor of The Oxford Companion to Australian Film, among others.
Produktdetaljer
Biografisk notat
Brian McFarlane is the editor or co-editor of more than thirty books and hundreds of articles and reviews, He is the editor of The Encyclopedia of British Film and co-editor of The Oxford Companion to Australian Film. He is Adjunct Professor in the Department of Media and Communications at Swinburne University of Technology, Melbourne, Australia.