Produktdetaljer
Biografisk notat
Ashis Sengupta is Professor of English at the University of North Bengal, India.This volume redefines the radical by exploring a range of contemporary theatre and performance produced in response to the politico-cultural climate of 21st-century India.
Offering a critique of dominant power structures in India, this book showcases how the rise in censorship and intolerance of dissent has brought forth new forms of political and aesthetic radicalism. Theatre has found many ways to perform the radical as a form of resistance, intersecting with other art forms as well as the political itself in its performative articulations.
Chapters include discussions of the performance of protest; creation of an alternative worldview through indigenous rituals and cultural festivals; world-making through transformative encounters; devised plays and documentary theatre as tools of dissent; radical imperatives of care in animated videos and short films; scenography and the actor’s body as sites of resistance, the performance of faith as survival in a hostile world and conversations with artists. The radical in contemporary Indian theatre and performance is shown to lie in creating a new ‘transgressive aesthetic,’ often formally hybrid, to project alternative perspectives and possibilities.
Balancing theory, context and performance analysis, this volume brings out an underexplored aspect of 21st-century Indian theatre and performance. Through its focus on different iterations of the radical in a democratic society and performance, it articulates theatre’s ability to disrupt the status quo and reveal the possibilities of change.
List of Illustrations
Notes on Contributors
Acknowledgements
Introduction
Ashis Sengupta (University of North Bengal, India)
1. Theatre on the Barricades: An Enquiry into the Performative Turn of Protest, its Potentials and Precariat Locations
Brahma Prakash (Jawaharlal Nehru University, New Delhi, India)
2. Performing Adivasiyat/Indigeneity: Creating an Alternative Worldview
Subodh Kunwer (Jawaharlal Nehru University, New Delhi, India)
3. Nearness as Radical: Overwhelming Proximity and Environments of Theatre in Amitesh Grover’s Work
Trina Nileena Banerjee (Centre for Studies in Social Sciences Calcutta, India)
4. ‘Making a Fist’: Voices from the Cracks
Anuja Ghosalkar (founder of Drama Queen, India)
5. Pandemic Works: Care and its Radical Imperatives
Gargi Bharadwaj (Jindal School of Liberal Arts and Humanities, O.P. Jindal Global University, India) and Anita E. Cherian (School of Culture and Creative Expressions, Dr BR Ambedkar University Delhi, India)
6. Radical Breakthroughs: Challenging the Edifices of Gender and Sexuality in Classical and Contemporary Dance/Performance
A. Mangai (formerly Stella Maris College, Chennai, India)
7. The Kashmir Trilogy: A Conversation with Abhishek Majumdar
An online interview by Ashis Sengupta
8. Deepan Sivaraman’s Ubu Roi: A Scenographic Foray against Authoritarianism
Ashis Sengupta ((University of North Bengal, India))
9. The Voice from the Margin: Bodo Theatre Practice and Okhrang-The Sky
Jeetumoni Basumatary (Cotton University, Assam, India)
10. Performing Faith in the Land of Eighteen Tides: Exploring the Radical in ‘Bonbibir Pala’
Haimanti Mukhoti (University of Warwick, UK)
Index
Theatre has always offered immediate responses to political, social, economic and cultural crisis events that are local, national and global in dimension, establishing itself as a prime medium of engagement. Methuen Drama Agitations interrogates these manifold intersections between theatre and the contemporary: What is the relationship between theatre and reality? Which functions does the theatre perform in public life? Where does the radical potential of the theatre reside and how is it untapped?
Methuen Drama Agitations addresses issues from across a number of spectrums, including contemporary politics, environmental concerns, issues of gender and race, and the challenges of globalization. The series focuses on text as much as performance, on theory as much as practice. It investigates the lively dialogues between theatre and contemporary lived experience.
Advisory Board:
Anne Etienne (University College Cork, Ireland)
Alex Feldman (University of Haifa, Israel)
Lynnette Goddard (Royal Holloway, University of London, UK)
Anton Krueger (Rhodes University, South Africa)
Esther Kim Lee (Duke University, USA)
Benjamin Poore (University of York, UK)
Marcus Tan (Nanyang Technological University, Singapore)
Sarah J. Townsend (Penn State University, USA)
Denise Varney (University of Melbourne, Australia)