"Barratt makes excellent use of graphics to help illustrate the strategies employed by Shyamalan to prevent the first-time viewer anticipating the aforementioned twist . . . ultimately though, Buckland's collection does provide a thought-provoking study of what has become an important genre in contemporary cinema." (Scope Book Reviews, 1 February 2011)<br /> <br /> <p>"A timely and insightful guide to some of the more complex and labyrinthine currents in recent cinema, drawing on an admirable range of examples from around the globe. <i>Geoff King, Professor of Film and TV Studies, Brunel University</i></p>

Drawing upon the expertise of film scholars from around the world, Puzzle Films investigates a number of films that sport complex storytelling--from Memento, Old Boy, and Run Lola Run, to the Infernal Affairs trilogy and In the Mood for Love.
  • Unites American ‘independent’ cinema, the European and International Art film, and certain modes of avant-garde filmmaking on the basis of their shared storytelling complexity
  • Draws upon the expertise of film scholars from North America, Britain, China, Poland, Holland, Italy, Greece, New Zealand, and Australia
Les mer
Drawing upon the expertise of film scholars from around the world, Puzzle Films investigates a number of films that sport complex storytelling--from Memento , Old Boy , and Run Lola Run , to the Infernal Affairs trilogy and In the Mood for Love.
Les mer

List of Contributors vii

Introduction: Puzzle Plots 1
Warren Buckland

1 The Mind-Game Film 13
Thomas Elsaesser

2 Making Sense of Lost Highway 42
Warren Buckland

3 “Twist Blindness”: The Role of Primacy, Priming, Schemas, and Reconstructive Memory in a First-Time Viewing of The Sixth Sense 62
Daniel Barratt

4 Narrative Comprehension Made Difficult: Film Form and Mnemonic Devices in Memento 87
Stefano Ghislotti

5 “Frustrated Time” Narration: The Screenplays of Charlie Kaufman 107
Chris Dzialo

6 Backbeat and Overlap: Time, Place, and Character Subjectivity in Run Lola Run 129
Michael Wedel

Infernal Affairs and the Ethics of Complex Narrative 151
Allan Cameron and Sean Cubitt

8 Happy Together? Generic Hybridity in 2046 and In the Mood for Love 167
Gary Bettinson

9 Revitalizing the Thriller Genre: Lou Ye’s Suzhou River and Purple Butterfly 187
Yunda Eddie Feng

10 The Pragmatic Poetics of Hong Sangsoo’s The Day a Pig Fell into a Well 203
Marshall Deutelbaum

11 Looking for Access in Narrative Complexity. The New and the Old in Oldboy 217
Eleftheria Thanouli

Index 233

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Puzzle Films examines the influence of a new storytelling epoch on contemporary world cinema. Identifying and analyzing films that reject classical storytelling techniques and instead embrace nonlinearity, time loops, and fragmented spatio-temporal reality as their narrative form, these films blur the boundaries between different levels of reality, are riddled with gaps, deception, labyrinthine structures, unreliable narrators, and overt coincidences.

Drawing upon the expertise of film scholars from around the world, this edited collectioninvestigates a number of films that sport complex storytelling--from Memento, Old Boy, and Run Lola Run, to the Infernal Affairs trilogy and In the Mood for Love.

At a time when many a film is asking more--not less--of fans and cineastes, Puzzle Films will help viewers keep pace with a form of narration that captures the anxiety and ambiguity of our time.

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Produktdetaljer

ISBN
9781405168625
Publisert
2008-12-19
Utgiver
Vendor
Wiley-Blackwell
Vekt
381 gr
Høyde
230 mm
Bredde
154 mm
Dybde
16 mm
Aldersnivå
UP, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
252

Redaktør

Biografisk notat

Warren Buckland is Reader in Film Studies at Oxford Brookes University, UK. He is author of Directed by Steven Spielberg and The Cognitive Semiotics of Film, and co-author (with Thomas Elsaesser) of Studying Contemporary American Film.