The period of 1830–1950 was an age of unprecedented innovation. From new inventions and scientific discoveries to reconsiderations of religion, gender, and the human mind, the innovations of this era are recorded in a wide range of literary texts. Rather than separating these texts into Victorian or modernist camps, this collection argues for a new framework that reveals how the concept of innovation generated forms of literary newness that drew novelists, poets, and other creative figures working across this period into dialogic networks of experiment. The 14 chapters in this volume explore how inventions like the rotary print press or hot air balloon and emergent debates about science, trade, and colonialism evolved new forms and genres. Through their examinations of a wide range of texts and writers—from well-known novelists like Conrad, Dickens, Hardy, and Woolf, to less canonical figures like Charlotte Mew, Elías Mar, and Walter Frances White—the chapters in this collection re-read these texts as part of an age of innovation characterized not by division and divide, but by collaboration and community.
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Through its examinations of a wide range of texts and writers, Re-reading the Age of Innovation re-reads these texts as part of an age of innovation characterized not by division and divide, but by collaboration and community.
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Introduction Louise Kane Part I: Inventing and Innovating: Science, Technology, Formal ExperimentChapter 1 The Sky as Heterotopia in Dickens, Gissing, and Woolf Claes E. LindskogChapter 2 The Rise and Fall of the Century Illustrated Monthly Magazine (1881–1930)Jayme YahrChapter 3 Balloonomania: Flying Machines, Periodicals, and the Trajectory of World Literature Louise Kane Chapter 4A Metaphysical Theatre: Abstract Painting, Color Music, and Futurist Experiments in Avant-Garde Film Christopher TownsendPart II: Changing Landscapes: Empire, Trade, EcologyChapter 5 Histories Yet to Come: Adventure Fiction and the Ideologies of Free TradeKeith ClavinChapter 6 Joseph Conrad’s Lord Jim and the Failure of Empire Camelia Raghinaru Chapter 7 Uncertainty, Doubt, and Belief in the Poetic Landscapes of T.S. Eliot and Thomas Hardy Anna BedsolePart III: Navigating Feeling: the Self, Empathy, Human Character Chapter 8 F. Mabel Robinson, Vernon Lee, and George Moore: the Aesthetics of Sympathy and Texts of TransitionKathryn LaingChapter 9 Racial Exposé and the Empathic Mind in Walter Francis White's The Fire in the Flint Masami SugimoriChapter 10 A Writerly Communion: Browning, Balzac, and Catholicism in Edith Wharton’s "The Duchess at Prayer"Nancy Von RoskPart IV: Blurring Boundaries: Gender, Sexuality, DesireChapter 11 "Disposed to Daring Innovation": New Modernism, New Woman Fiction, and New MotherhoodElizabeth PodnieksChapter 12 "Sometimes I Pose, but Sometimes I Pose as Posing": Stella Benson’s Early Fiction Nicola DarwoodChapter 13 Parsing Between-ness: Love, Looking Backward and Forward, in Charlotte Mew’s Short Fiction Kristen RenziChapter 14 The Spirit of Contemporary Life: Icelandic Queer ModernismÁsta Kristín BenediktsdóttirAfterwordRegenia Gagnier
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Produktdetaljer

ISBN
9781032043623
Publisert
2024-01-29
Utgiver
Vendor
Routledge
Vekt
453 gr
Høyde
229 mm
Bredde
152 mm
Aldersnivå
U, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
244

Redaktør

Biographical note

Louise Kane is Assistant Professor of Global Modernisms at the University of Central Florida. She is a General Editor of the forthcoming Oxford Critical and Cultural History of Global Modernist Magazines series and Editor of the James Joyce Literary Supplement.