Satire as the Comic Public Sphere Postmodern “Truthiness” and Civic Engagement
Produktdetaljer
Biografisk notat
James E. Caron is Professor Emeritus of English at the University of Hawai’i at Mānoa. He is the author of Mark Twain, Unsanctified Newspaper Reporter and coeditor of Refocusing Chaplin: A Screen Icon Through Critical Lenses and Sut Lovingood’s Nat’ral Born Yarnspinner: Essays on George Washington Harris.
<p>“Those engaged in research and thinking on ‘the comic’ will find this book a valuable aid.”</p><p>—J. C. Jaffe <i>Choice</i></p>
<p>“Should endure as an important, discerning account of the paradoxical nature of satire, especially in our postmodern media environment.”</p><p>—Brian P. O’Sullivan <i>Studies in American Humor</i></p>
<p>“The book is masterful at bringing together a wide range of thinkers and using their insights to construct an account of satire that allows us to see its new roles and, as Bill Maher might put it, its new rules.”</p><p>—Steven Gimbel <i>Philosophy of Humor Yearbook</i></p>
<p>“Any scholar or student interested in the roles of comic and satiric discourse in twenty-first-century culture will benefit from reading this book. In my own engagements with satire, I will turn to this book first as an authoritative sorting-out of where we are and where we are going.”</p><p>—Bruce Michelson, author of <i>Mark Twain on the Loose: A Comic Writer and the American Self</i></p>
Stephen Colbert, Samantha Bee, John Oliver, and Jimmy Kimmel—these comedians are household names whose satirical takes on politics, the news, and current events receive some of the highest ratings on television. In this book, James E. Caron examines these and other satirists through the lenses of humor studies, cultural theory, and rhetorical and social philosophy, arriving at a new definition of the comic art form.
Tracing the history of modern satire from its roots in the Enlightenment values of rational debate, evidence, facts, accountability, and transparency, Caron identifies a new genre: “truthiness satire.” He shows how satirists such as Colbert, Bee, Oliver, and Kimmel—along with writers like Charles Pierce and Jack Shafer—rely on shared values and on the postmodern aesthetics of irony and affect to foster engagement within the comic public sphere that satire creates. Using case studies of bits, parodies, and routines, Caron reveals a remarkable process: when evidence-based news reporting collides with a discursive space asserting alternative facts, the satiric laughter that erupts can move the audience toward reflection and possibly even action as the body politic in the public sphere.
With rigor, humor, and insight, Caron shows that truthiness satire pushes back against fake news and biased reporting and that the satirist today is at heart a citizen, albeit a seemingly silly one. This book will appeal to anyone interested in and concerned about public discourse in the current era, especially researchers in media studies, communication studies, political science, and literary and cultural studies.
The Humor in America series considers humor as an expression that reflects key concerns of people in specific times and places.
From Benjamin Franklin to Fanny Fern and Mark Twain, Lucille Ball to Mel Brooks and Richard Pryor, Thomas Nast to Lynda Barry, Our Gang to Awkward Black Girl—for three hundred years, American humor has proven itself to be more than mere entertainment. It has brought cultural norms, values, and practices into sharp relief and, sometimes, provoked change. The Humor in America series considers humor as expression that reflects key concerns of people in specific times and places.
The series engages the full range of the field, from literary, theatrical, and stand-up comedy to comics, film, radio, and other media in which humor addresses the viewpoints or experiences of Americans. With interdisciplinary research, historical and transnational approaches, and comparative scholarship that carefully examines contexts such as race, gender, class, sexuality, ethnicity, and region, books in the Humor in America series show how comic expression both responds to and shapes the many strands of American culture. The series publishes monographs and edited collections for an audience of scholars, students, and intellectually curious general readers.
Produktdetaljer
Biografisk notat
James E. Caron is Professor Emeritus of English at the University of Hawai’i at Mānoa. He is the author of Mark Twain, Unsanctified Newspaper Reporter and coeditor of Refocusing Chaplin: A Screen Icon Through Critical Lenses and Sut Lovingood’s Nat’ral Born Yarnspinner: Essays on George Washington Harris.