The 20th century saw radical changes in the way serious music is composed and produced, including the advent of electronic instruments and novel compositional methods such as serialism and stochastic music. Unlike previous artistic revolutions, this one took its cues from the world of science.

Creating electronic sounds, in the early days, required a well-equipped laboratory and an understanding of acoustic theory. Composition became increasingly “algorithmic”, with many composers embracing the mathematics of set theory. The result was some of the most intellectually challenging music ever written – yet also some of the best known, thanks to its rapid assimilation into sci-fi movies and TV shows, from the electronic scores of Forbidden Planet and Dr Who to the other-worldly sounds of 2001: A Space Odyssey.

This book takes a close look at the science behind "science fiction" music, as well as exploring the way sci-fi imagery found its way into the work of musicians like SunRa and David Bowie, and how music influenced the science fiction writings of Philip K. Dick and others.

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Of the many books on “science fiction music”, this is the only one that looks at the science aspect of the music itself Gives an insight into the way music is composed, and why it sounds the way it does, in an engaging way that avoids traditional music theory or jargon Shows the surprising relationships between two disparate styles that arose in the 20th century – avant-garde art music and popular sci-fi movies
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Produktdetaljer

ISBN
9783030478322
Publisert
2020-07-01
Utgiver
Springer Nature Switzerland AG
Høyde
235 mm
Bredde
155 mm
Aldersnivå
Popular/general, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
5

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