David Fincher's Seven (1995) follows two detectives, David Mills (Brad Pitt) and William Somerset (Morgan Freeman), as they investigate a series of gruesome murders. One of the most acclaimed films of the 1990s, it explores themes of moral decay, human darkness, and the blurred lines between good and evil.
Richard Dyer's study of the film, unpacks how its cinematography, sound, and plot combine to create a harrowing account of a world beset by an all-encompassing, irremediable wickedness. He explores the film in terms of sin, story, structure, seriality, sound, sight and salvation, analyzing how Seven both epitomizes and modifies the serial killer genre, which is such a feature of recent cinema.
This new edition includes a new afterword by the author, re-assessing the film's lasting impact and influence over contemporary filmmaking aesthetics.
Acknowledgments
1. Sin
2. Story
3. Structure
4. Seriality
5. Sound
6. Sight
7. Salvation
Afterword to the second edition
Notes
Credits
"An indispensable part of every cineaste's bookcase" - Total Film
"Possibly the most bountiful book series in the history of film criticism." - Jonathan Rosenbaum, Film Comment
"Magnificently concentrated examples of flowing freeform critical poetry." - Uncut
"The series is a landmark in film criticism." - Quarterly Review of Film and Video
"A formidable body of work collectively generating some fascinating insights into the evolution of cinema." -Times Higher Education
Celebrating film for over 30 years
The BFI Film Classics series introduces, interprets and celebrates landmarks of world cinema. Each volume offers an argument for the film's 'classic' status, together with discussion of its production and reception history, its place within a genre or national cinema, an account of its technical and aesthetic importance, and in many cases, the author's personal response to the film.