Shakespearean International Yearbook 20: Special Section, Pericles, Prince of Tyre
Produktdetaljer
Biografisk notat
General Editors:
Tom Bishop, Professor of English, Emeritus, University of Auckland, New Zealand
Alexa Alice Joubin, Professor of English, George Washington University and Research Affiliate, MIT, USA
Guest Editors:
Deanne Williams is Professor of English and Theatre Studies at York University
Tom Bishop, Professor of English, Emeritus, University of Auckland, New Zealand
This year publishing its twentieth volume, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare’s work and his time, across the whole spectrum of his literary output. Contributions are solicited from scholars across the field, from both hemispheres of the globe. New trends are evaluated from the point of view of established scholarship, and emerging work in the field is encouraged. Each issue includes a special section under the guidance of a specialist Guest Editor, along with coverage of the current state of the field in other aspects. An essential reference tool for scholars of early modern literature and culture, this annual publication captures, from year to year, current and developing thought in Shakespeare scholarship and theater practice worldwide. There is a particular emphasis on Shakespeare studies in global contexts.
The twentieth volume of The Shakespearean International Yearbook focuses on Pericles, Prince of Tyre, a play long neglected, which has recently seen renewed interest. The volume provides twelve essays on the play and its history, and also includes a review essay covering selected works of recent Shakespeare criticism
List of Figures
Preface
Tom Bishop and Alexa Alice Joubin
General Editors
List of Contributors
Part I: Special Section: Pericles, Prince of Tyre
Special Guest Editors:
Deanne Williams, York University, and Tom Bishop, University of Auckland
- Introduction
Deanne Williams, York University, and Tom Bishop, University of Auckland
- Whose Pericles, and Why, and When?
Stephen Orgel, Stanford University
- The Excesses of Romance: Shakespeare’s Pericles and the Baroque
Robert Hudson Vincent, Harvard University
- Hrotswitha of Gandersheim, Pericles, Prince of Tyre, and Humanist Girlhood
Deanne Williams, York University
- Eater and Eaten, Feeder and Fed: Intercultural Consumption in Pericles
Stephen Cohen, Central Connecticut State University
- Pericles and the Sea of Things
Andrew S. Brown, Dalhousie University
- Pericles and the Primacy of Movement
Tonhi Lee, Tufts University
- "The purchase is to make men glorious": Pericles on the Stuart Court Stage
Gabriel Lonsbery, Purdue University
- Inscribed Props and Daughters in Pericles
Bernice Mittertreiner Neal, York University
- Musicking the Spheres in Pericles
Jennifer Linhart Wood, George Mason University
- Pericles Comes to America
Tom Bishop, University of Auckland
- Line Dancing, Belly Dancing, and Martial Arts: Staging the Soldiers’ Dance in Pericles
Linda McJannet, Bentley University
- Productions of Pericles, Prince of Tyre, 1900-2020: a checklist
Tom Bishop, University of Auckland
Part Two: Recent Literature Review
14. Intersectional Shakespeare: the State of the Field, 2020-21
Nicole A. Jacobs, California Polytechnic State University
Index
Produktdetaljer
Biografisk notat
General Editors:
Tom Bishop, Professor of English, Emeritus, University of Auckland, New Zealand
Alexa Alice Joubin, Professor of English, George Washington University and Research Affiliate, MIT, USA
Guest Editors:
Deanne Williams is Professor of English and Theatre Studies at York University
Tom Bishop, Professor of English, Emeritus, University of Auckland, New Zealand