Shirley Jackson and Domesticity takes on American horror writer Shirley Jackson’s domestic narratives – those fictionalized in her novels and short stories as well as the ones captured in her memoirs – to explore the extraordinary and often supernatural ways domestic practices and the ecology of the home influence Jackson’s storytelling. Examining various areas of homemaking – child-rearing and reproduction, housekeeping, architecture and spatiality, the housewife mythos – through the theoretical frameworks of gothic, queer, gender, supernatural, humor, and architectural studies, this collection contextualizes Jackson’s archive in a Cold War framework and assesses the impact of the work of a writer seeking to question the status quo of her time and culture.
Les mer
Notes on Contributors Acknowledgments Introduction Melanie R. Anderson (Delta State University, USA) 1. Hideous Doughnuts and Haunted Housewives: Gothic Undercurrents in Shirley Jackson's Domestic Humor Bernice M. Murphy (Trinity College Dublin, Ireland) 2. Enemies Foreign and Domestic: Shirley Jackson’s New Yorker Stories Ashley Lawson (West Virginia Wesleyan College, USA) 3. “You Didn’t Look Like You Belonged in This House”: Shirley Jackson’s Fragile Domesticities Michael Dalpe, Jr. (College of New Jersey, USA) 4. “Sharp Points Closing in on Her Throat”: The Domestic Gothic in Shirley Jackson’s Short Fiction L.N. Rosales (University of Nebraska-Lincoln, USA) 5. Endless House, Interminable Dream: Shirley Jackson’s Domestic Architecture and the Matrophobic Gothic Luke Reid (Dawson College, Canada) 6. Casting a Literary Spell: The Domestic Witchcraft of Shirley Jackson Alissa Burger (Culver-Stockton College, USA) 7. Homemaking for the Apocalypse: Queer Failures and Bunker Mentality in The Sundial Jill E. Anderson (Tennessee State University, USA) 8. Domestic Apocalypse in Shirley Jackson's The Sundial Christiane E. Farnan (Siena College, USA) 9. “I May Go Mad, but At Least I Look Like a Lady”: The Insanity of True Womanhood in Shirley Jackson’s The Sundial Julie Baker (Independent Scholar, USA) 10. Insisting on the Moon: Shirley Jackson and the Queer Future Emily Banks (Emory University, USA) 11. Shirley Jackson’s Merricat Story: Conjugal Narcissism in We Have Always Lived in the Castle Richard Pascal (Australian National University, Australia) 12. My House Is My Castle: On the Mutually Enabling Persistence of Familial Devotion and Defunct Economies in Shirley Jackson’s We Have Always Lived in the Castle Allison Douglass (Graduate Center, CUNY, USA) 13. Flipping Hill House: The Netflix Revision of Shirley Jackson's Landmark Novel Jessica McCort (Point Park University, USA) Index
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Shirley Jackson and Domesticity makes compelling arguments about role of gender and domesticity within the work of one of the 20th century’s most indelible writers. A thoroughly entertaining and insightful collection, this book leaves me eager to revisit and more deeply explore Jackson’s stories and essays.
Les mer
This collection explores the ways domesticity weaves through, interferes with, and influences Shirley Jackson’s writing.
Uses a wide range of theoretical perspectives to address a diverse cross-section of genres – from horror novels to short stories to nonfiction – in Jackson's literary archive

Produktdetaljer

ISBN
9781501370014
Publisert
2021-12-30
Utgiver
Vendor
Bloomsbury Academic USA
Vekt
367 gr
Høyde
229 mm
Bredde
152 mm
Aldersnivå
U, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
272

Biographical note

Jill E. Anderson is Associate Professor in English at Tennessee State University, USA. Melanie R. Anderson is Assistant Professor of English at Delta State University, USA. She is the author of Spectrality in the Novels of Toni Morrison (2013) and co-editor of The Ghostly and the Ghosted in Literature and Film: Spectral Identities (2013) and Shirley Jackson, Influences and Confluences (2016).