As I read Morton’s account of his childhood engagement with space flight, I thought of my own, when my personal imaginary met world history, though I certainly didn’t think in those terms at the time. In pursuing Morton’s childhood, I’m not attempting to shoehorn <i>Spacecraft</i> into old-fashioned biographical criticism whereby one seeks to explain a text by finding its secrets in the author’s autobiography. It’s part of the story he’s telling, one common to many children whose imagination has been fired with visions of space travel. It’s a story born of a specific cultural imaginary common among children of the last decades of the previous century … <i>Spacecraft</i>, then, is a vehicle in which Morton meditates on futurality. The <i>Millennium Falcon</i>, along with hyperspace, is at the center of this meditation.

3 Quarks Daily

Morton is the punk rock sci-fi geek artist philosopher of Now. In prose as precise and freewheeling as one of their flights-of-fancy spacecraft, this book takes us on a journey of the mind through the hyperspace of pop-culture and high thought, because It Is All Connected Can’t You See? I started reading this and lost a day but gained a light year.

Max Borenstein, screenwriter of Godzilla vs. Kong

This is a brilliantly provoking book about why spacecraft are not at all the same as spaceships, and how imaginary objects can transform our thinking. Morton offers an exuberant, acute, compact, and luminously uplifting guide to the ways in which human society might become a whole lot more progressive in the coming centuries.

Nicholas Royle, author of Veering: A Theory of Literature