Voices of Italian America A History of Early Italian American Literature with a Critical Anthology
Produktdetaljer
Biografisk notat
Martino Marazzi is Assistant Professor of Italian Literature at the Universita degli Studi, Milan, Italy, and has been a Fellow of the Italian Academy for Advanced Studies at Columbia University. His most recent book is A occhi aperti. Letteratura dell'emigrazione e mito Americano. He is also the author of La fine del Purgatorio and Filogenesi."Marazzi's work is certainly a worthy endeavor, and the excellent translation by Ann Goldstein documents for the English reader the existence of a large body of literature of emigration." -Journal of Modern Italian Studies "A brilliant introduction to a forgotten subject, of immense importance to both Italian and American culture. These are marvelous texts, outstandingly translated by Ann Goldstein. Martino Marazzi deserves our gratitude for making all this available." -- -David Freedberg Director of the Italian Academy for Advanced Studies "...Marazzi's anthology bristles with serial gangster fiction, breathless flapper romances, and impassioned tales of triumph over poverty, all of which make for a sharp contrast with his erudite elucidation of their historical context. The result is a glimpse of a largely forgotten literary heritage and of the life of what one epigraph calls 'the Italian immigrant in the land of America who, enduring danger and derision, built a nation that never became a homeland.'" -The New Yorker "Martino Marazzi has mined hundreds of Italian-language periodicals published in the United States from mid-nineteenth to mid-twentieth century. Now he presents a major introduction to the literature of the Italian migration in this stunning anthology. Anyone interested in Italian American literature, culture, or history should own a copy of this book." -- -Robert Viscusi The Ethyle R. Wolfe Institute for the Humanities, Brooklyn College
Voices of Italian America presents a top-rate authoritative study and anthology of the italian-language literature written and published in the United States from the heydays of the Great Migration (1880–1920) to the almost definitive demise of the cultural world of the first generation soon before and after World War II. The volume resurrects the neglected and even forgotten territory of a nationwide “Little Italy” where people wrote, talked, read, and consumed the various forms of entertainment mostly in their native Italian language, in a complex interplay with native dialects and surrounding American English.
The anthological sections include excerpts from the ethnically tinged thrillers by Tuscan-born first-comer Bernardino Ciambelli, as well as the first short stories by Italian American women, set in the Gilded Age. The fiction of political activists such as Carlo Tresca coexists with the hardboiled autobiography of Italian American
cop Mike Fiaschetti, fighting against the Mafia. Voices of Italian America presents new material by English-speaking classics such as Pietro di Donato and John Fante, and a selection of poetry by a great bilingual voice, the champion of the “masses” and Industrial Workers of the World (IWW) poet Arturo Giovannitti, and by a lesserknown, self-taught, satirical versifier, Riccardo Cordiferro/Ironheart. Controversial documents on the difficult interracial relations between Italian Americans and African Americans live side by side with the first poignant chronicles from Ellis Island.
This study sheds light on the “fabrication” of a new culture of immigrant origins—pliable, dynamic, constantly shifting and transforming itself—while focusing on stories, genres, rhythms, the “human touch” contributed by literature in its wider sense. Ultimately, through a rich sample of significant texts covering various aspects
of the immigrant experience, Voices of Italian America offers the reader a literary history of Italian American culture.