Why The Monkees Matter Teenagers, Television and American Pop Culture
Produktdetaljer
Biografisk notat
Rosanne Welch teaches the history of screenwriting and one-hour drama for the Stephens College MFA in screenwriting. As a television writer/producer, her credits include Beverly Hills 90210, Picket Fences and Touched by an Angel. She serves as Book Reviews editor for Journal of Screenwriting and on the editorial board for Written By magazine. She lives in Van Nuys, California.“not only a fine piece of cultural analysis overall but also an atypically readable and fun one”—<i>Psychobabble</i>.
A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys--Outstanding Comedy Series and Outstanding Directorial Achievement in Comedy.
Capitalizing on the show's success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.
This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.
Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers' move into films such as Head, Easy Rider and Five Easy Pieces.
Preface: I’m (Still) a Believer
Introduction: Here Come The Monkees
One. Sweet Young Thing: Contextualizing The Monkees with a Short History of Teenagers on Television
Two. Look Out, Here Comes Tomorrow: Counterculture Comes to Television and Middle America
Three. Words: Who Wrote the Episodes and What Was That Something They Had to Say?
Four. The Kind of Girl I Could Love: Feminism, Gender and Sexuality
Five. Early Morning Blues and Greens: An Ethnic Studies Look at Minority Representation
Six. We Were Made for Each Other: The Menagerie of Metatextuality
Seven. We Were Made for Each Other, the Sequel: Television Aesthetic Technique
Eight. Theme(s) from The Monkees: Narrative Structure and Themes
Nine. A Little Bit Me, a Little Bit You: Identity Construction and Confusion
Ten. What Am I Doing Hangin’ Round? The Cultural Cachet of The Monkees
Chapter Notes
Bibliography
Index