The Witch (1615/16?), categorised by its author as 'a tragi-comedy', pits the intrigues of a group of Italian aristocrats against the malevolent practices of Hecate and her witches' coven, leaving the audience with the impression that human malevolence is by far the fiercer and more effective. This edition sets the play into its dramatic and literary contexts, ranging from Shakespeare's Macbeth and Middleton's own later tragedies to Reginald Scot's sceptical Discovery of Witchcraft and King James's virulent Daemonologie. It also argues that Middleton wrote it as a topical satire to capitalise on the scandal involving Frances Howard, who obtained a divorce from the Earl of Essex on the grounds that he had been sexually incapacitated by witchcraft; she was also rumoured to have tried to poison him. Middleton exposes his noble characters precisely by letting them get away with murder.
Les mer
This play written in the early 1600s is an ironic comedy which offers contrast and comparison with Shakespeare's Macbeth" in its handling of witchcraft. It includes a biography of the writer, a critical introduction, discussion of dates and sources and is fully annotated."
Les mer

This play written in the early 1600s is an ironic comedy which offers
contrast and comparison with Shakespeare's Macbeth" in its handling of
witchcraft. It includes a biography of the writer, a critical
introduction, discussion of dates and sources and is fully annotated."

Les mer

New Mermaids is a series of classic plays from the 16th to the 20th century which are presented in modernised English with on the page notes.

Teachers present editions of these plays that are perfect for students and encourage creative engagement with the text. Introductions include the latest research and critical interpretations to situate each play within contemporary culture. Editors explore the play’s language and plot through gender, sexuality, race, religion, identity, material culture and performance.

New Mermaids are printed in a clear, easy-to-use format, with notes below the text. New editions speak to students, theatre goers and actors who want to engage with classic plays as they are taught and performed across the world today.

General Editors
Subha Mukherji, Professor of Early Modern Literature and Culture, University of Cambridge, UK.

Iman Sheeha, Senior Lecturer in English, Brunel University, UK.

Editorial Board
Brandi Adams, Assistant Professor, English Department, Arizona State University, USA
Francis X. Connor, Chair and Associate Professor, Department of English, Wichita State University, USA
Beth Rebecca Cortese, Assistant Professor, University of Iceland, Iceland
Ambereen Dadabhoy, Associate Professor of Literature, Harvey Mudd College, USA
Nandini Das, Professor of Early Modern English Literature and Culture, University of Oxford, UK
Tracy C. Davis, Barber Professor of Performing Arts, Northwestern University, USA
Brett Greatley-Hirsch, Professor of Renaissance Literature and Textual Studies, University of Leeds, UK
Hetta Howes, Senior Lecturer in Medieval and Early Modern Literature, City University, UK
Hassana Moosa is a Lecturer in English Literature at the University of Cape Town, South Africa
Eoin Price, Lecturer in English Literature, 1500-1650, University of Edinburgh, UK
Eleanor Rycroft, Senior Lecturer, Department of Theatre, University of Bristol, UK

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Produktdetaljer

ISBN
9780713639452
Publisert
1994-08-25
Utgiver
Bloomsbury Publishing PLC
Vekt
150 gr
Høyde
196 mm
Bredde
124 mm
Dybde
12 mm
Aldersnivå
UA, UU, G, 14, 05, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
128

Forfatter
Redaktør

Biografisk notat

Thomas Middleton was a prolific and successful English Jacobean playwright and poet. A contemporary of Shakespeare and Ben Jonson, Middleton wrote over 30 plays including A Mad World, My Masters which was first performed in 1606. Elizabeth Schafer is Professor of Drama and Theatre Studies at Royal Holloway, University of London. Her publications include MsDirecting Shakespeare: Women Direct Shakespeare, performance histories of The Taming of the Shrew and Twelfth Night, and a biography of theatre manager, Lilian Baylis. She has edited The City Wit and The Northern Lass for the forthcoming Oxford University Press complete edition of Richard Brome’s plays. Recent publications include Theatre & Christianity, and Shakespeare and Eco-Performance History: ‘The Merry Wives of Windsor’.