Fascinating, hugely entertaining, instructive in the best sense. I always thought that writing could not be taught, only reading, but this book made me reconsider. I read it in one sitting

- Alberto Manguel,

Both extremely funny and deeply sad, <i>The Writing School</i> examines how and why we tell our own stories.<b> It's beautifully written and structured, compelling, wise and fabulously readable</b>

- Lissa Evans,

'Intellectually riveting but also slyly funny and, out-of-nowhere, heartbreaking. What an achievement. I loved every word of it'

Nathan Filer

Se alle

<i>The Writing School</i> is an extraordinary book. <b>It is funny, exhilarating, heart-breaking and passionate.</b> Its delicate pulsing themes are held like a bird in the writer's confident, gentle hand. Miranda France has created a brilliant, ephemeral eulogy for her beloved brother and a luminous gift for her reader

- Katharine Norbury, author of The Fish Ladder,

Life, with its unexpected troughs and highs, the disciplines of teaching a creative writing course and the shadow of a family tragedy provide the focus for <b>a memoir that brims with humour, honesty and intelligence. </b><i>The Writing School</i> taught me a lot

- Elizabeth Buchan,

'A sheer delight - so warm, generous and funny. Every page moved me, or made me laugh' Irina Dumitrescu

'Fascinating, hugely entertaining, instructive in the best sense. I always thought that writing could not be taught, only reading, but this book made me reconsider. I read it in one sitting' Alberto Manguel

'Both extremely funny and deeply sad, The Writing School examines how and why we tell our own stories. It's beautifully written and structured, compelling, wise and fabulously readable' Lissa Evans


'The Writing School is an extraordinary book. It is funny, exhilarating, heart-breaking and passionate. Its delicate pulsing themes are held like a bird in the writer's confident, gentle hand' Katharine Norbury

'Life, with its unexpected troughs and highs, the disciplines of teaching a creative writing course and the shadow of a family tragedy provide the focus for a memoir that brims with humour, honesty and intelligence. The Writing School taught me a lot' Elizabeth Buchan

When author Miranda France sets out to teach at a residential writing school in the British countryside, she expects to meet a group of aspiring writers with the usual mix of hope and unrealised ambitions, talents and motivation. What she doesn't expect, as she takes her tutees through a series of exercises designed to help them explore different aspects of their writing, is that a ghost from her own life will join them.

As she thinks about the act of writing and storytelling, Miranda recovers memories concerning her brother's untimely death when she was a teenager, a grief that has profoundly shaped her life. What is to be done with our memories of those we have lost? What is behind the urge to put lives into words? And is it ever right to tell another person's story?

Blending storytelling and memoir, packed full of literary anecdote and insight, The Writing School is a moving and often very funny book about why people write, as well as being a uniquely generous masterclass on the art of writing itself.

Les mer
Clever, funny and captivating The Writing School is a memoir told by way of a fictionalised account of the author's time teaching a residential writing course deep in the British countryside. A highly original book about writing, writers and what drives us to want to put lives into words.
Les mer

'The Writing School is an extraordinary book. It is funny, exhilarating, heart-breaking and passionate. Its delicate pulsing themes are held like a bird in the writer's confident, gentle hand' Katharine Norbury


When Miranda France sets out to teach at a residential writing school in the British countryside, she expects to meet a group of aspiring writers with the usual mix of hope and unrealised ambitions, talents and motivation. What she doesn't expect, as she takes her tutees through a series of exercises designed to help them explore different aspects of their writing, is that a ghost from her own life will join them.

As she thinks about the act of writing, Miranda recovers memories concerning her brother's untimely death when she was a teenager, a grief that has profoundly shaped her life. What is to be done with our memories of those we have lost? What is behind the urge to put lives into words? And is it ever right to tell another person's story? Blending storytelling and memoir, packed full of literary anecdote and insight, The Writing School is a moving and often very funny book about how and why we tell our own stories.


'Wry and witty ruminations on both art and life' The Spectator


'Fascinating, hugely entertaining, instructive in the best sense' Alberto Manguel

'Extremely funny and deeply sad . . . The Writing School is beautifully written and structured, compelling, wise and fabulously readable' Lissa Evans

Les mer
Fascinating, hugely entertaining, instructive in the best sense. I always thought that writing could not be taught, only reading, but this book made me reconsider. I read it in one sitting

Both extremely funny and deeply sad, The Writing School examines how and why we tell our own stories. It's beautifully written and structured, compelling, wise and fabulously readable

Life, with its unexpected troughs and highs, the disciplines of teaching a creative writing course and the shadow of a family tragedy provide the focus for a memoir that brims with humour, honesty and intelligence. The Writing School taught me a lot

The Writing School is an extraordinary book. It is funny, exhilarating, heart-breaking and passionate. Its delicate pulsing themes are held like a bird in the writer's confident, gentle hand. Miranda France has created a brilliant, ephemeral eulogy for her beloved brother and a luminous gift for her reader

The Writing School is an excellent example of [literary non-fiction]. It is literary in the narrow sense, with its concern for the craft of writing [and also] literary in the broad sense, with its wry and witty ruminations on both art and life - The Spectator

[This] is a mark of [France's] skill... She tightly binds together her two narrative

threads: one explaining

how we tell stories, the

other why - Mail on Sunday
Les mer

Produktdetaljer

ISBN
9781472157355
Publisert
2024
Utgiver
Little, Brown Book Group
Vekt
203 gr
Høyde
195 mm
Bredde
125 mm
Dybde
23 mm
Aldersnivå
00, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
224

Forfatter

Biografisk notat

Miranda France is a writer, translator, editor and critic. Her translations from Spanish include novels by Claudia Piñeiro, Alberto Manguel, Liliana Heker and Sergio Olguin. She is a consultant editor for the Times Literary Supplement and a Fellow of the Royal Literary Fund. She lives in London.