<b>Early reviews called this book a miracle between two covers. In <i>The Light Room</i>, Zambreno writes about the intersections of catastrophes that unfold on a global scale . . . Zambreno writes with a sense of hope that will especially resonate with anyone who's soldiered through pandemic-era parenting</b>

Harper's Bazaar

<b>Kate Zambreno has invented a new form. It is a kind of absolute present, real life captured in closeup </b>

- —Annie Ernaux, winner of the Nobel Prize in Literature,

<p><b><i>The Light Room</i> is both a gift and a beacon<br /></b></p>

- —Sinéad Gleeson, author of Constellations,

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<b>One of our most formally ambitious writers</b>

Esquire

<b>Kate Zambreno has performed a miracle, capturing real, lived time from within the exhaustion of pandemic-era parenthood. <i>The Light Room</i> reminded me of that fundamental magic of writing-that the details of another person's life, so precisely and honestly rendered, can instantly loosen the edges of your own life and make you feel less alone</b>

- —Jenny Odell, New York Times bestselling author of How to Do Nothing,

<b>One of the great uncategorizable writers of our time</b>

Hero Magazine

Elegant. . . . This is a book about the aloneness of motherhood - the limits of maternal attention, the dissolution of self, the mind-numbing tedium of raising small children - [and] a book about a "life inside" - not just inside the home, but inside the mind. . . . It may be among the most lasting literature of Covid, a lightbox for the future: the story of a mother looking for brightness in a diary of dark days

New York Times Book Review

When Kate Zambreno writes she must use a special microscope, with which she studies the dust in the sunlight, and the clutter of motherhood, and the thinnest fibers of exhaustion and hope. <i>The Light Room</i> is a miracle, a wooden box with a golden clasp filled with the specimens of all our most precious, disappearing days

- —Sabrina Orah Mark, author of Happily and Wild Milk,

'Kate Zambreno has invented a new form. It is a kind of absolute present, real life captured in closeup'

Annie Ernaux, winner of the Nobel Prize in Literature

'The Light Room is both a gift and a beacon'

Sinead Gleeson, author of Constellations

'Kate Zambreno has performed a miracle, capturing real, lived time from within the exhaustion of pandemic-era parenthood. The Light Room reminded me of that fundamental magic of writing - that the details of another person's life, so precisely and honestly rendered, can instantly loosen the edges of your own life and make you feel less alone'

Jenny Odell, bestselling author of How to Do Nothing

In The Light Room, Zambreno offers her most profound and affecting work yet: a candid chronicle of life as a mother of two young daughters in a moment of profound uncertainty about public health, climate change, and the future we can expect for our children. Moving through the seasons, returning often to parks and green spaces, Zambreno captures the isolation and exhaustion of being home with a baby and a small child, but also small and transcendent moments of beauty and joy. Inspired by writers and artists ranging from Natalia Ginzburg to Joseph Cornell, Yuko Tsushima to Bernadette Mayer, Etel Adnan to David Wojnarowicz, The Light Room represents an impassioned appreciation of community and the commons, and an ecstatic engagement with the living world.

How will our memories, and our children's, be affected by this time of profound disconnection? What does it mean to bring new life, and new work, into this moment of precarity and crisis? In The Light Room, Kate Zambreno offers a vision of how to live in ways that move away from disenchantment, and toward light and possibility.
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'The Light Room is both a gift and a beacon'
Sinéad Gleeson, author of Constellations

In The Light Room, Zambreno offers her most profound and affecting work yet: a candid chronicle of life as a mother of two young daughters in a moment of profound uncertainty about public health, climate change, and the future we can expect for our children. Moving through the seasons, returning often to parks and green spaces, Zambreno captures the isolation and exhaustion of being home with a baby and a small child, but also small and transcendent moments of beauty and joy. Inspired by writers and artists ranging from Natalia Ginzburg to Joseph Cornell, Yuko Tsushima to Bernadette Mayer, Etel Adnan to David Wojnarowicz, The Light Room represents an impassioned appreciation of community and the commons, and an ecstatic engagement with the living world.

In The Light Room, Kate Zambreno offers a vision of how to live in ways that move away from disenchantment, and toward light and possibility.

'The Light Room reminded me of that fundamental magic of writing - that the details of another person's life, so precisely and honestly rendered, can instantly loosen the edges of your own life and make you feel less alone' Jenny Odell, author of How to Do Nothing

'Incandescent . . . The tension between crisis and joy resonated with me on a deep level as a parent, a writer, and a reader, as did the attention to the fine art of caretaking' Orion

[INSERT A THUMBNAIL OF HEROINES PB COVER]

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Produktdetaljer

ISBN
9781472158932
Publisert
2025
Utgiver
Little, Brown Book Group
Vekt
228 gr
Høyde
196 mm
Bredde
128 mm
Dybde
26 mm
Aldersnivå
00, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
256

Forfatter

Biografisk notat

Kate Zambreno is the author of nine books, most recently The Light Room, a meditation on art and care. Tone, a collaborative study with the writer and scholar Sofia Samatar, under The Committee to Investigate Atmosphere, is forthcoming from Columbia University Press. Zambreno's fiction and reports have been published in The New Yorker, The Paris Review, Granta, VQR, Astra, BOMB, and more. Zambreno's books have been translated into seven languages. Kate Zambreno is the Strachan Donnelley Chair in Environmental Writing at Sarah Lawrence College and teaches graduate nonfiction at Columbia University. Zambreno is a 2021 Guggenheim Fellow in Nonfiction.