Everyday Aesthetics is a well-argued and ground-breaking piece of philosophy which has much to say about issues in contemporary philosophy of art and design theory while also helping to form a new sub-discipline within aesthetics. It also has the advantage of being immensely readable.

Tom Leddy, Notre Dame Philosophical Reviews

a welcome book: Saito has given serious attention to an area of the human aesthetic response that has been sadly neglected in the West.

Robert Wilkinson, British Journal of Aesthetics

Everyday aesthetic experiences and concerns occupy a large part of our aesthetic life. However, because of their prevalence and mundane nature, we tend not to pay much attention to them, let alone examine their significance. Western aesthetic theories of the past few centuries also neglect everyday aesthetics because of their almost exclusive emphasis on art. In a ground-breaking new study, Yuriko Saito provides a detailed investigation into our everyday aesthetic experiences, and reveals how our everyday aesthetic tastes and judgments can exert a powerful influence on the state of the world and our quality of life. By analysing a wide range of examples from our aesthetic interactions with nature, the environment, everyday objects, and Japanese culture, Saito illustrates the complex nature of seemingly simple and innocuous aesthetic responses. She discusses the inadequacy of art-centered aesthetics, the aesthetic appreciation of the distinctive characters of objects or phenomena, responses to various manifestations of transience, and the aesthetic expression of moral values; and she examines the moral, political, existential, and environmental implications of these and other issues.
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This ground-breaking book brings to life a neglected topic: our everyday aesthetic interactions with the world around us and the objects in it. Yuriko Saito shows how exploring everyday aesthetics can enrich the content of our aesthetic discourse, and reveals its influence on the state of the world and our quality of life.
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Introduction ; I. The Neglect of Everyday Aesthetics ; II. The Significance of Everyday Aesthetics ; III. Aesthetics of Distinctive Characteristics and Ambience ; IV. Everyday Aesthetic Qualities and Transience ; V. Moral-Aesthetic Judgments of Artifacts ; Conclusion ; Bibliography
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`Review from previous edition The first explicit aim of Saito's book is, in effect, a reply to those who neglect or scoff at the aesthetics of mundane things and activities - an attempt to establish the credentials of 'everyday aesthetics' by showing that it renders aesthetic discourse more truthful and faithful to the richness of aesthetic experience. It is only various prejudices, she argues, that can explain the neglect of the everyday in Western aesthetic tradition. ' David E. Cooper, Times Literary Supplement `The young but growing field of everyday aesthetics is blessed with the recent publication of Yuriko Saito's book by the same name.... Everyday Aesthetics is a well-argued and ground-breaking piece of philosophy which has much to say about issues in contemporary philosophy of art and design theory while also helping to form a new sub-discipline within aesthetics. It also has the advantage of being immensely readable.' Tom Leddy, Notre Dame Philosophical Reviews
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First philosophical book on this subject Will open up a new field in aesthetics Draws on a wide range of examples from Eastern and Western culture Long awaited book from a widely admired aesthetician
Yuriko Saito is Professor of Philosophy at the Rhode Island School of Design.
First philosophical book on this subject Will open up a new field in aesthetics Draws on a wide range of examples from Eastern and Western culture Long awaited book from a widely admired aesthetician

Product details

ISBN
9780199575671
Published
2010
Publisher
Oxford University Press
Weight
466 gr
Height
233 mm
Width
156 mm
Thickness
22 mm
Age
UU, 05
Language
Product language
Engelsk
Format
Product format
Heftet
Number of pages
288

Author

Biographical note

Yuriko Saito is Professor of Philosophy at the Rhode Island School of Design.