<i>Twelve Words for Moss</i> is <b>a fascinating, subtle and risk-taking book</b>; its remarkable opening pages in particular dis-orient and re-orient the reader, readying us for the forms of attention-giving to the overlooked and undersung world of mosses which the rest of the book beautifully practices. Poetry, <b>descriptive-evocative prose</b>, memory, memoir, natural history and more all drift and mingle in <b>strikingly new </b>ways in Burnett's book, down at the "boundary layer" where this ancient, modest life flourishes so generatively
- Robert Macfarlane,
<b>Exquisite, luminous and quietly radical</b> ... <b>so electric and so alive</b>. It makes the world more <b>beautiful </b>and<b> dimensional </b>and <b>vibrant </b>- or moreso, it shows the world as it is to our moss-blind, weary eyes with <b>a prose style that is utterly unique and refreshing </b>... I loved it
- Lucy Jones,
This accomplished writer's prose - <b>filled with figurative and tactile imagery</b> - and interspersed poetry powerfully join the human body, mind, and spirit with the Earth
The Countryman
In this <b>luminous book,</b> poetry and <b>dreamy pros</b>e weave a strange kind of mossy magic. Taking the “most overlooked of life forms” as her inspiration, <b>Burnett explores intriguing parallels between the lives of mosses and her own</b>… This is an intense book that rewards careful reading. I took my time over it, absorbing a few pages and then <b>letting the beautiful, unforgettable imagery soak in</b>. Burnett is a <b>unique voice</b> and one of our <b>most original nature writers</b>
- Ben Hoare, BBC Countryfile Best Nature Book of the Year
The poet Elizabeth-Jane Burnett has woven a bittersweet travelogue-cum-nature memoir… It thrums with loss.
The Sunday Times
A masterclass in the art of prose writing, and my favourite nonfiction book in a very long time
- Sharon Blackie, author of If Women Rose Rooted
<b>Hybridity (of form, subject) is what makes Elizabeth-Jane Burnett's work sing, beguile.</b> Part poet, prose nature writer and woodland psychogeographer, her voice is her own
- Sinéad Gleeson, author of Constellations: Reflections From Life
Praise for <i>The Grassling</i>
:
<b>A subtle, moving celebration of place and connectedness . . . <i>The Grassling</i> brings the sounds, smells and sights of the countryside alive like few other books. Burnett stretches the limits of prose, infusing it with poetic intensity to create a powerful, original voice . . . </b>Her prose is both sinuous and knotty, stretching language to capture what is often beyond words, while slowing down the process of reading, allowing us to savour them
- PD Smith, Guardian
<b>Exquisite . . . needs to be savoured slowly, and then read again. Burnett is breaking new ground </b>as a mixed-heritage English/Kenyan woman connecting so deeply to the historic land of her father's family in the West Country
- Bernardine Evaristo,
SHORTLISTED FOR THE JHALAK PRIZE 2024
Shortlisted for the Wainwright Prize 2023 for Nature Writing
'Exquisite, luminous and quietly radical . . . utterly unique and refreshing' Lucy Jones
Where nothing grows, moss is the spark that triggers new life. Embarking on a journey though landscape, memory and recovery, Elizabeth-Jane Burnett explores this mysterious, ancient marvel of the plant world, meditating on and renaming her favourite mosses – from Glowflake to Little Loss – and drawing inspiration from place, people and language itself.
'Fascinating, subtle and risk-taking . . . Poetry, descriptive-evocative prose, memory, memoir, natural history and more all drift and mingle in strikingly new ways' Robert Macfarlane