John Boardman has updated his classic account of one of the most popular historic artistic traditions among Western audiences. In the twenty years since the last edition was released, valuable evidence has come to light which has dramatically enhanced our understanding of the art of this ancient civilization. We now know conclusively that Greeks in fact lavished their sculptures with realistic colour paint, and also worked with a wealth of other materials on a major scale, including wood and precious metals, proving that our view of classic pure white marble of the age is a Renaissance construction. We can identify the work of individual artists, and schools of artists, and have a clearer picture than ever of how art and artistic ideas travelled throughout the Greek world. Boardman encourages the reader to consider the beautiful pieces that have been preserved in their original context, rather than as the isolated installations of our modern galleries, weaving into the discussion of the art objects insights into the society that produced them.