A splendid book in which the plates alone would make a valuable acquisition… Chiang is the confident master, writing in a manner that is both businesslike and imaginative.

The Times

Chiang Yee’s Chinese Calligraphy: An Introduction to Its Aesthetic and Technique remains the classic introduction to Chinese calligraphy. In eleven richly illustrated chapters, Chiang explores the aesthetics and the technique of this art in which rhythm, line, and structure are perfectly embodied. He measures the slow change from pictograph to stroke to the style and shape of written characters by the great calligraphers.

In addition to aesthetic considerations, the text deals with more practical subjects such as the origin and construction of the Chinese characters, styles, technique, strokes, composition, training, and the relations between calligraphy and other forms of Chinese art.

Chinese Calligraphy is a superb appreciation of beauty in the movement of strokes and in the patterns of structure—and an inspiration to amateurs as well as professionals interested in the decorative arts.

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This is the classic introduction to Chinese calligraphy. In nine richly illustrated chapters Chang explores the aesthetics and the technique of this art in which rhythm, line, and structure are perfectly embodied.
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Preface, by Sir Herbert Read Author's Note I. Introduction II. The Origin and Construction of Chinese Characters III. The Styles IV. The Abstract Beauty of Chinese Calligraphy V. Technique VI. The Strokes VII. Composition VIII. Training IX. The Relations Between Calligraphy and Other Forms of Chinese Bibliography Index
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Produktdetaljer

ISBN
9780674122260
Publisert
1974-01-01
Utgave
3. utgave
Utgiver
Vendor
Harvard University Press
Vekt
449 gr
Høyde
235 mm
Bredde
156 mm
Aldersnivå
UU, UP, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
304

Forfatter
Foreword by

Biografisk notat

Chiang Yee (1903–1977) was Professor Emeritus of Chinese at Columbia University. He was also a poet and painter, and the author of many books of travel writing, as well as children’s books. He illustrated all of his books and was best known for his “The Silent Traveler in…” series, which presented destinations from a Chinese perspective.