Shehadeh is engaged, forensic, alert to history's weight but unwilling to let it crush him... Shehadeh's books are like beacons held up against the darkness of Israeli oppression. Forgotten is perhaps the brightest light of all
Observer
Again and again, I thought of WG Sebald as I read Forgotten. The resemblance lies not only in the mournful elegance of the prose but also in its method: a meditative excavation of history embedded in the landscape
Guardian
A heartbreaking, hopeful look at how Palestinian culture endures in spite of the occupation
Irish Times
Slim but profound
New Statesman
An illuminating and poignant journey through Palestine's past and present...a tender and undeterred love letter to a contested land
Publishers Weekly
A valuable record of Palestine, as told by two eloquent and erudite observers
Markaz Review
An inspiring account... insightful
Georgraphical
Thought-provoking and uplifting, written with such appreciation for Palestinian history and culture, such love of nature and such concern for the environment. While Forgotten works as an entity, each chapter can be read as self-standing reflections on the search for Palestine's hidden places and monuments
Morning Star
This precious jewel of a book is a call to preserve the past in order to secure the future. Its hauntingly evocative prose stays with you long after its final pages have been turned
Middle East Eye
The authors have a profound and subtle understanding of history [and] remind us of the astonishing heritage of this sliver of land... Shehadeh's political and historical analysis is sharp and unsentimental... A really beautiful book
Church Times
Praise for Rajah Shehadeh: In his moral clarity and baring of the heart ... Shehadeh recalls writers such as Ghassan Kanafani and Primo Levi
New York Times
A buoy in a sea of bleakness
- Rachel Kushner,
Palestine's greatest prose writer
Observer
Profoundly personal as well as historically significant ... A quiet and deeply felt book
- Hisham Matar, The New York Times
Insightful, surprising, and moving
- Kamila Shamsie,