Connecting aesthetic experience with our experience of nature or with other cultural artifacts, Aesthetics as Phenomenology focuses on what art means for cognition, recognition, and affect—how art changes our everyday disposition or behavior. Günter Figal engages in a penetrating analysis of the moment at which, in our contemplation of a work of art, reaction and thought confront each other. For those trained in the visual arts and for more casual viewers, Figal unmasks art as a decentering experience that opens further possibilities for understanding our lives and our world.
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Translator's ForewordIntroductionChapter One: Art, Philosophically1. Why Art?2. Which Art?3. Philosophy of Art and AestheticsChapter Two: Beauty4. Free Play5. Appearances and Things6. Showing and Self-ShowingChapter Three: Art Forms7. Arts8. Essential Determinations9. MixturesChapter Four: Nature10. Oppositions11. Limits and Inclusions12. Primordial AppearanceChapter Five: Space13. Places14. Emptiness15. HereBibliographyIndex of Names and SubjectsIndex of Terms
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Aesthetics as Phenomenology is an important and potentially major contribution to the philosophy of art.
Carefully wrought and consummately presented, Günter Figal promises a rehabilitation of aesthetics against philosophical approaches that would detach the significance of art from the question of beauty.
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Produktdetaljer

ISBN
9780253015587
Publisert
2015-02-02
Utgiver
Vendor
Indiana University Press
Vekt
376 gr
Høyde
229 mm
Bredde
152 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
292

Forfatter
Oversetter

Biographical note

Günter Figal is Professor of Philosophy at the University of Freiburg in Breisgau, Germany. He is author of Objectivity: Philosophy and the Hermeneutical and editor of The Heidegger Reader (IUP, 2009).

Jerome Veith teaches at Seattle University.