Produktdetaljer
Biografisk notat
Erin Manning is professor of fine arts and philosophy at Concordia University, Montreal, Canada. Recent books include For a Pragmatics of the Useless (2020), Out of the Clear (2022) and The Being of Relation (forthcoming). She works at the intersection of the three ecologies - the environmental, the conceptual and the social - with an emphasis on the aesthetico-political (3ecologies.org). Her artistic practices explores this transversality - a recent exhibition is entitled 100 Acres (Richard Saltoun Gallery, London).
<p>‘Erin Manning attunes to our wandering ways to world and thought in this achingly timely offering. How do we, and how might we, choreograph and dance ways with each other beyond the one-two lockstep of recognitive intersubjectivity and the neurotypicality this atrophic sociality is indexed to? <em>The Being of Relation</em> might reject the epithet “landmark” but in its tracings of such non-insistent intimacies, this luminous book is an exceedingly resonant landing site.’</p>
- Fumi Okiji, associate professor, Department of Rhetoric, UC Berkeley, USA,
How does whiteness sediment worlds? How does it format individuality in the name of a neurotypicality that polices how one bodies, and how one comes to know? And how does a poetics of relation shift the very logic of this sedimentation?
Edouard Glissant’s poetics of relation are bold in their call to “consent not to be a single being.” This transindividual consent, born in the process of worlds crafting themselves in what he would call an “aesthetics of the earth,” are felt in Fernand Deligny’s errant lines. These errant lines, traced to move with the complex gestures of autistics over a period of several years in Monoblet, France (1965-1970), offer an alternative to pathology, and individual psychological assessment.
The Being of Relation brings these two projects into encounter, exploring what else blackness can be at this non-pathological juncture where what is foregrounded is the very being of relation. On the way, trails of whiteness are excavated and interrogated. The aim: to move toward parapedagogies of resistance, in a logic of a poetics of relation, a logic of neurodiversity, minor sociality and the kind of difference without separability that refuses the binary that holds neurotypicality – as whiteness – in place.
Errant Lines
Tentative Constructings Toward a Holding in Place
Black Beach
Hears in Red, Sees in Wet
When You Fall
The Being of Relation
Parapedagogies of Resistance
Concepts Leaving Traces: A Running Glossary
Works Cited
Index
How does whiteness shape the world? How does neurotypicality police how bodies move, think, and relate? And what happens when we shift our focus from individuality to relation itself?
The Being of Relation brings together Edouard Glissant’s poetics of relation and Fernand Deligny’s errant lines to study the structures that hold whiteness and neurotypicality in place. Moving beyond the confines of pathology and psychological assessment, Erin Manning looks into how blackness and neurodiversity emerge at the very site of relation—where identity is not single, but constantly unfolding.
Drawing from critical race theory, neurodiversity studies, and philosophy, The Being of Relation offers a framework for reimagining social connections outside of conventional categories.
Erin Manning is professor of fine arts and philosophy at Concordia University, Montreal, Canada. Recent books include For a Pragmatics of the Useless and Out of the Clear.
“Erin Manning attunes to our wandering ways to world and thought in this achingly timely offering. How do we, and how might we, choreograph and dance ways with each other beyond the one-two lockstep of recognitive intersubjectivity and the neurotypicality this atrophic sociality is indexed to? The Being of Relation might reject the epithet ‘landmark’ but in its tracings of such non-insistent intimacies, this luminous book is an exceedingly resonant landing site.”
Fumi Okiji, associate professor, Department of Rhetoric, UC Berkeley, USA.
Part of the Intellect Artwork Scholarship: International Perspectives in Education series
<p>‘Erin Manning attunes to our wandering ways to world and thought in this achingly timely offering. How do we, and how might we, choreograph and dance ways with each other beyond the one-two lockstep of recognitive intersubjectivity and the neurotypicality this atrophic sociality is indexed to? <em>The Being of Relation</em> might reject the epithet “landmark” but in its tracings of such non-insistent intimacies, this luminous book is an exceedingly resonant landing site.’</p>
- Fumi Okiji, associate professor, Department of Rhetoric, UC Berkeley, USA,
How does whiteness sediment worlds? How does it format individuality in the name of a neurotypicality that polices how one bodies, and how one comes to know? And how does a poetics of relation shift the very logic of this sedimentation?
Edouard Glissant’s poetics of relation are bold in their call to “consent not to be a single being.” This transindividual consent, born in the process of worlds crafting themselves in what he would call an “aesthetics of the earth,” are felt in Fernand Deligny’s errant lines. These errant lines, traced to move with the complex gestures of autistics over a period of several years in Monoblet, France (1965-1970), offer an alternative to pathology, and individual psychological assessment.
The Being of Relation brings these two projects into encounter, exploring what else blackness can be at this non-pathological juncture where what is foregrounded is the very being of relation. On the way, trails of whiteness are excavated and interrogated. The aim: to move toward parapedagogies of resistance, in a logic of a poetics of relation, a logic of neurodiversity, minor sociality and the kind of difference without separability that refuses the binary that holds neurotypicality – as whiteness – in place.
Errant Lines
Tentative Constructings Toward a Holding in Place
Black Beach
Hears in Red, Sees in Wet
When You Fall
The Being of Relation
Parapedagogies of Resistance
Concepts Leaving Traces: A Running Glossary
Works Cited
Index
How does whiteness shape the world? How does neurotypicality police how bodies move, think, and relate? And what happens when we shift our focus from individuality to relation itself?
The Being of Relation brings together Edouard Glissant’s poetics of relation and Fernand Deligny’s errant lines to study the structures that hold whiteness and neurotypicality in place. Moving beyond the confines of pathology and psychological assessment, Erin Manning looks into how blackness and neurodiversity emerge at the very site of relation—where identity is not single, but constantly unfolding.
Drawing from critical race theory, neurodiversity studies, and philosophy, The Being of Relation offers a framework for reimagining social connections outside of conventional categories.
Erin Manning is professor of fine arts and philosophy at Concordia University, Montreal, Canada. Recent books include For a Pragmatics of the Useless and Out of the Clear.
“Erin Manning attunes to our wandering ways to world and thought in this achingly timely offering. How do we, and how might we, choreograph and dance ways with each other beyond the one-two lockstep of recognitive intersubjectivity and the neurotypicality this atrophic sociality is indexed to? The Being of Relation might reject the epithet ‘landmark’ but in its tracings of such non-insistent intimacies, this luminous book is an exceedingly resonant landing site.”
Fumi Okiji, associate professor, Department of Rhetoric, UC Berkeley, USA.
Part of the Intellect Artwork Scholarship: International Perspectives in Education series
Produktdetaljer
Biografisk notat
Erin Manning is professor of fine arts and philosophy at Concordia University, Montreal, Canada. Recent books include For a Pragmatics of the Useless (2020), Out of the Clear (2022) and The Being of Relation (forthcoming). She works at the intersection of the three ecologies - the environmental, the conceptual and the social - with an emphasis on the aesthetico-political (3ecologies.org). Her artistic practices explores this transversality - a recent exhibition is entitled 100 Acres (Richard Saltoun Gallery, London).