Sean Gaston's The Concept of World from Kant to Derrida is a thorough and thoroughly compelling study of a range of essential concepts associated with 'world' in modernity ... Students of phenomenology, in particular, will benefit from this work, not least of all in its brilliant reading of Jacques Derrida.

- Kevin Hart, Edwin B. Kyle Professor of Christian Studies, University of Virginia,

This is a rich and original book ... [It] exemplifies the richness of continental philosophy for contemporary issues, social, ethical or political.

- Pol Vandevelde, Professor of Philosophy, Marquette University,

Gaston (English & philosophy, Brunel Univ., UK; The Impossible Mourning of Jacques Derrida) examines how certain prominent 19th- and 20th-century Western and continental philosophers—Immanuel Kant, Georg Wilhelm Friedrich Hegel, Edmund Husserl, Martin Heidegger, and Jacques Derrida—dealt with the concept of world. In particular, Gaston is concerned with what he explains as the “need to establish an essential difference between what is merely in the world” and a wider viewing of “the world as a whole.” Beginning with Kant’s transcendental idea of the world and ending with Derrida’s theory of the world as a necessary fiction, Gaston does a fantastic job of using each philosopher’s writings and his own final chapter on contemporary philosophical problems to show how the concept of world is still problematic: we can’t become immersed in the world and simultaneously transcend it to create a unified whole. VERDICT While the work isn’t meant to be an introduction to each philosopher’s theories, its writing is clear and easy to follow so that it will appeal to both readers who are new to philosophy and also to scholars with an interest in continental philosophy.

Library Journal

Se alle

One of the greatest strengths of the book is the engagement with Derrida’s newly published series of seminars and lectures ... it should be read by anyone interested in the way that the concept of world has been interpreted in Continental philosophy.

Dialogue

In the mid-eighteenth century metaphysics was broadly understood as the study of three areas of philosophical thought: theology, psychology and cosmology. This book examines the fortunes of the third of these formidable metaphysical concepts, the world. Sean Gaston provides a clear and concise account of the concept of world from the mid-eighteenth century to the end of the twentieth century, exploring its possibilities and limitations and engaging with current issues in politics and ecology. He focuses on the work of five principal thinkers: Kant, Hegel, Husserl, Heidegger and Derrida, all of whom attempt to establish new grounds for seeing the world as a whole. Gaston presents a critique of the self-evident use of the concept of world in philosophy and asks whether one can move beyond the need for a world-like vantage point to maintain a concept of world. From Kant to the present day this concept has been a problem for philosophy and it remains to be seen if we need a new Copernican revolution when it comes to the concept of world.
Les mer
A clear and concise account of the metaphysical concept of world, its possibilities and limitations, from Kant to Derrida.
Preface: Writing on the World / 1. The Kantian World / 2. Hegel and the World as Spirit / 3. Husserl and the Phenomenological World / 4. Heidegger and the Problem of World / 5. Derrida and the End of the World / 6. World, Fiction and the Earth / Bibliography / Index
Les mer
'Sean Gaston's The Concept of World from Kant to Derrida is a thorough and thoroughly compelling study of a range of essential concepts associated with "world" in modernity. In firm control of a bewildering array of information, Gaston delineates with enviable clarity the origins and trajectories of "world." Students of phenomenology, in particular, will benefit from this work, not least of all in its brilliant reading of Jacques Derrida.' -- Kevin Hart, Edwin B. Kyle Professor of Christian Studies, University of Virginia, USA 'This is a rich and original book. Dealing with such varied, difficult, and unruly authors would be a challenge for any scholar. Gaston manages this feat of guiding us through many different positions without sidetracking us or losing us in the meanders of philological squabbles. This book exemplifies the richness of continental philosophy for contemporary issues, social, ethical or political.' -- Pol Vandevelde, Professor of Philosophy, Marquette University, USA
Les mer
'Sean Gaston's The Concept of World from Kant to Derrida is a thorough and thoroughly compelling study of a range of essential concepts associated with "world" in modernity. In firm control of a bewildering array of information, Gaston delineates with enviable clarity the origins and trajectories of "world." Students of phenomenology, in particular, will benefit from this work, not least of all in its brilliant reading of Jacques Derrida.' -- Kevin Hart, Edwin B. Kyle Professor of Christian Studies, University of Virginia, USA 'This is a rich and original book. Dealing with such varied, difficult, and unruly authors would be a challenge for any scholar. Gaston manages this feat of guiding us through many different positions without sidetracking us or losing us in the meanders of philological squabbles. This book exemplifies the richness of continental philosophy for contemporary issues, social, ethical or political.' -- Pol Vandevelde, Professor of Philosophy, Marquette University, USA
Les mer
Identifies a tradition of common gestures, motifs and problems in writing on the world

Produktdetaljer

ISBN
9781783480005
Publisert
2013-09-26
Utgiver
Vendor
Rowman & Littlefield International
Vekt
535 gr
Høyde
238 mm
Bredde
160 mm
Dybde
24 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
256

Forfatter

Biografisk notat

Sean Gaston is Reader in English and the History of Philosophy at Brunel University, UK. His previous publications include Derrida and Disinterest (Continuum, 2005), The Impossible Mourning of Derrida (Continuum, 2006), Starting with Derrida (Continuum, 2007) and Derrida, Literature and War (Continuum, 2009).