This important contribution to the history of critical theory establishes crucial connections among information theory, semiotics, Marxist critique, and affect theory. By confronting obstacles to signification such as libidinal economies and commodification, Genosko provides a much-needed rereading of theories of signification, demonstrating that semiotics still matters in the age of big data, global consumerism, and visual media.

- Janell Watson, Professor of French, Virginia Tech, USA,

Just like Žižek in his critique of the Warchowski’s <i>Matrix</i>, Genosko in his <i>Critical Semiotics </i>rejects the false choice between the material blue pill and the semiotic red pill. However, he does not opt for a third pill, especially not the dialectical purple one. Following Guattari and a number of his sometimes delightfully unlikely bedfellows, Genosko reiterates the call for semiotic disobedience. Most crucially, the plea is not predicated on the facile rejection of the discursive in favour of the pathic. Rather, Genosko’s intricate mapping of the interface between expression and content remains necessarily contingent. Hence semiosis as a critique, a must-read for those living under the regime of semiocapitalism.

- Andrej Radman, Assistant Professor of Architecture, Delft University of Technology, The Netherlands,

In his characteristic rigour, precision and scholarly attention to texts, Genosko offers up a wide ranging and compelling history and theory of semiotics as both critical <i>and</i> creative practice. With tour de force readings of key post-structualist thinkers and its own original insights and contemporary case studies, this book effectively re-writes sign and affect theory. A must for all those working at the leading edge of the theoretical humanities.

- Simon O'Sullivan, Reader in Art Theory and Practice, Goldsmiths, University of London, UK,

Critical Semiotics provides long overdue answers to questions at the junction of information, meaning and 'affect'. The affective turn in cultural studies has received much attention: a focus on the pre-individual bodily forces, linked to automatic responses, which augment or diminish the body's capacity to act or engage with others. In a world dominated by information, how do things that seem to have diminished meaning or even no meaning still have so much power to affect us, or to carry on our ability to affect the world?

Linguistics and semiotics have been accused of being adrift from the affective turn and not accounting for these visceral forces beneath or generally other from conscious knowing. In this book, Gary Genosko delivers a detailed refutation, with analyses of specific contributions to critical semiotic approaches to meaning and signification. People want to understand how other people are moved and to understand embodied social actions, feelings and passions at the same time as understanding how this takes place. Semiotics must make the affective turn.

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Introduction
1. From Information Theory to A-Signifying Semiotics
2. Anti-Semiology
3. Damaged Signs and Floating Signifiers
4. Semiotics of the Info-commodity
5. Obstacle-Signs
6. Tensor Signs
7. Affect and Semiosis
Conclusion
References
Index

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Plots the trajectory of critical semiotic theory from information theory to affect theory.
Advances semiotic theory by definining a critical tradition through post-structuralist theory

Formerly Continuum Advances in Semiotics.

Bloomsbury Advances in Semiotics publishes original works applying semiotic approaches to linguistics and non-verbal productions, social institutions and discourses, embodied cognition and communication, and the new virtual realities of the digital age. It covers topics such as socio-semiotics, evolutionary semiotics, game theory, cultural and literary studies, human-computer interactions, and the challenging new dimensions of human networking afforded by social websites.

Series Editor: Gregory Paschalidis, Aristotle University of Thessaloniki, Greece

Editorial Board
Nicola Dusi, University of Modena and Reggio Emilia, Italy
Zuanglin Hu, Peking University, Beijing
Yunhee Lee, Hankuk University of Foreign Studies, China
Lambros Malafouris, University of Oxford, UK
Mihai Nadin, University of Texas at Dallas, USA
Kay O’Halloran, National University of Singapore, Singapore
Jef Verschueren, University of Antwerp, Belgium
Anne Wagner, Universite du Littoral Cote d’Opale, France
Ruth Wodak, Lancaster University, UK
Hiroshi Yoshioka, Kyoto University, Japan

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Produktdetaljer

ISBN
9781472596369
Publisert
2016-09-22
Utgiver
Bloomsbury Publishing PLC
Vekt
320 gr
Høyde
232 mm
Bredde
152 mm
Dybde
6 mm
Aldersnivå
U, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
200

Forfatter

Biografisk notat

Gary Genosko is Professor of Communication and Digital Media Studies at the University of Ontario Institute of Technology in Toronto, Canada