'Pain and pleasure are simple ideas, incapable of definition.' In 1757 the 27-year-old Edmund Burke argued that our aesthetic responses are experienced as pure emotional arousal, unencumbered by intellectual considerations. In so doing he overturned the Platonic tradition in aesthetics that had prevailed from antiquity until the eighteenth century, and replaced metaphysics with psychology and even physiology as the basis for the subject. Burke's theory of beauty encompasses the female form, nature, art, and poetry, and he analyses our delight in sublime effects that thrill and excite us. His revolution in method continues to have repercussions in the aesthetic theories of today, and his revolution in sensibility has paved the way for literary and artistic movements from the Gothic novel through Romanticism, twentieth-century painting, and beyond. In this new edition Paul Guyer conducts the reader through Burke's Enquiry, focusing on its place in the history of aesthetics and highlighting its innovations, as well as its influence on many subsequent authors from Kant and Schiller to Ruskin and Nietzsche. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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In his Enquiry Edmund Burke overturned the Platonic tradition in aesthetics and replaced metaphysics with psychology. His revolutions in method and sensibility influenced later philosophers and literary and artistic movements from the Gothic novel to Romanticism and beyond. This new edition guides the reader through Burke's arguments.
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Burke's 'Enquiry' is essential reading on aesthetics. Paul Guyer's new edition helps the reader get the most out of the text, with a clear and thought-provoking introduction and excellent notes.
A new edition of one of the central works in the history of aesthetics, whose influence extends to literature and art and on philosophers from Kant and Nietzsche and beyond. Paul Guyer's expert introduction deftly guides the reader through Burke's arguments, explaining the classical tradition that he overturned and analysing the Enquiry's influence on philosophical thinking to the present day. Up-to-date bibliography guides the reader through the burgeoning literature on Burke's aesthetics. Thorough notes places Burke's work in the context of the aesthetic theories of his time.
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Paul Guyer is a Research Prize Winner of the Alexander von Humboldt foundation of the Federal Republic of Germany. He is a Fellow of the American Academy of Arts and Sciences, and the author of nine books on Immanuel Kant. He has edited and translated four works by Kant, and his recent publication is A History of Modern Aesthetics in three volumes (CUP, 2014).
Les mer
A new edition of one of the central works in the history of aesthetics, whose influence extends to literature and art and on philosophers from Kant and Nietzsche and beyond. Paul Guyer's expert introduction deftly guides the reader through Burke's arguments, explaining the classical tradition that he overturned and analysing the Enquiry's influence on philosophical thinking to the present day. Up-to-date bibliography guides the reader through the burgeoning literature on Burke's aesthetics. Thorough notes places Burke's work in the context of the aesthetic theories of his time.
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Produktdetaljer

ISBN
9780199668717
Publisert
2015
Utgave
2. utgave
Utgiver
Vendor
Oxford University Press
Vekt
160 gr
Høyde
195 mm
Bredde
130 mm
Dybde
12 mm
Aldersnivå
UU, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
208

Forfatter
Redaktør

Biographical note

Paul Guyer is a Research Prize Winner of the Alexander von Humboldt foundation of the Federal Republic of Germany. He is a Fellow of the American Academy of Arts and Sciences, and the author of nine books on Immanuel Kant. He has edited and translated four works by Kant, and his recent publication is A History of Modern Aesthetics in three volumes (CUP, 2014).