“Lynne Huffer insists on the fragmentary, improvisational nature of anything that can be taken to be whole. This is the profound philosophical stance that informs the book; form and substance combine to convey it. She places her trust in fragments to somehow capture meanings that are otherwise reductive or unattainable. And there is a certain delightful whimsy, a sense of freed-up ability to express herself, that informs it all. At the same time, she offers seriousness and philosophical depth in an entirely new way. <i>These Survivals</i> is a remarkably original book and an objet d’art that one will want to own and share.” - Joan Wallach Scott, author of (The Fantasy of Feminist History) “<i>These Survivals</i> is a brilliant philosophical, aesthetic, and emotional guide to feeling, seeing, and thinking ecological and human devastation. Powerful, spare, and exquisitely subtle, this is auto without ego. There is also a novel method on offer, though possibly Lynne Huffer alone has the rare sensibility to pursue it.” - Wendy Brown, Institute for Advanced Study "Wildly experimental and interdisciplinary, Huffer’s latest examines ethical living in the environmental ruin of the Anthropocene (a term that, she says, 'sags from overuse'). Through collage, poetry, multimedia work, and memoir, Huffer balances a philosopher’s gravity-she is best known for her three-book treatment of Foucault’s ethics of eros-with a poet’s sense of play." - Jonathan Frey (The Millions)

A collage-style work in fragments, Lynne Huffer’s These Survivals brings together philosophy, memoir, poetry, and original multimedia artworks to articulate an ethics of living on a devastated planet. Focusing on climate change and mass species extinction, Huffer approaches ruination through assemblages rendered in sharp-edged prose, vibrant color images, and experimental features that include black-out poems, weather reports, and abecedarian essays. She considers her struggles with everyday life and confronts the immensity of extinction across the expanse of geological time, recognizing the self’s insignificance in the context of the planet’s 4.5-billion-year existence. As she moves across autobiographical, political, and literary registers, her abiding theme is the repeated phrase: the fragment remains while the whole crumbles. At every turn, Huffer insists on the fragmentary, provisional nature of anything taken to be whole as well as the impartial conditions under which we write, at times experienced as constraint and at others, freedom. Reveling in interruption, obliquity, and layering, Huffer opens space for thought to emerge in unexpected and innovative ways-ways that are grounded in the material practices of writing and living.
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I. Fragments Comingback  1
II. In the Middle, In the Dark, Between Us  77
III. DÉcollage  105
Coda (Comingback Fragment)  187
Appendices  191
I. A Note on Method (Training)  193
II. Sources (Citations)  195
III. Substrate (Works Cited)  199
IV. List of Figures  202
Acknowledgments  207
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Produktdetaljer

ISBN
9781478028369
Publisert
2025-05-31
Utgiver
Duke University Press
Vekt
748 gr
Høyde
254 mm
Bredde
178 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
224

Forfatter

Biografisk notat

Lynne Huffer is Samuel Candler Dobbs Professor of Philosophy at Emory University and the author of, most recently, Foucault’s Strange Eros.