<p>'Layton-Jones’s Beyond the Metropolis currently holds a prominent position on my bookshelf for both teaching and research. It has already been ordered for students taking my nineteenth-century urban history module. There is perhaps no stronger praise of a book than this.'<br />Transactions of the Historic Society of Lancashire & Cheshire</p>
- .,
Dark satanic mills, cobbled streets and cholera have become common shorthand for the nineteenth-century British town. Over the past century historical reality has merged seamlessly with mythology, literature and caricature to create a dramatic but utterly misleading representation of the urban past. Drawing on pictorial and ephemeral sources that shaped the popular image of British towns, Beyond the metropolis revises our understanding of urbanisation, its representation and interpretation throughout the long nineteenth century. In contrast to myriad publications that address London exclusively, this book examines images that reflect the growing political, social and cultural significance of British provincial towns in the wake of the Industrial Revolution. Covering locations from Bristol to Leeds, Glasgow to Birmingham and Manchester to Swansea, it employs hitherto unexplored visual and ephemeral sources to reveal a complex and compelling new narrative of British urbanisation.
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Draws on previously unexplored visual and ephemeral sources to re-evaluate the British city, its changing form, representation and impact.
Introduction
1. The urban prospect
2. The town on show
3. Improving the urban image
4. Advertising the town
5. Crucibles of liberty and ruin
Conclusion
Bibliography
Index
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Drawing on images that shaped the popular perception of British towns between 1780 and 1880, Beyond the metropolis challenges enduring misconceptions about urbanisation, its representation and interpretation throughout the long nineteenth century. Over the past century, historical reality has merged seamlessly with mythology, literature and caricature, to create a dramatic, but utterly misleading representation of our urban past. Dark satanic mills, cobbled streets and cholera have become common shorthand for the nineteenth-century British town. Yet, there is little to suggest that the Urban Renaissance identified by Peter Borsay ended in 1770, or that every town in Britain experienced the same topographical consequences of expansion. Using engaging and diverse evidence, including souvenirs, pocket panoramas and ceramics, this book investigates the relationship between pictorial convention, visual innovation and urban identity. In contrast to myriad publications that address London exclusively, it examines images that reflect the growing political, social and cultural significance of British provincial towns in the wake of the Industrial Revolution. Covering locations from Bristol to Leeds, Glasgow to Birmingham and Manchester to Swansea, it reveals a complex and compelling new narrative of British urbanisation. Subjects that currently enjoy the attention of historians, planners and politicians alike, including public space, popular protest, civic identity and residential development, are approached from unfamiliar vantage points provided by hitherto under-researched sources. The result is a timely and persuasive re-evaluation of the British city, its changing form, representation and impact.
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Produktdetaljer
ISBN
9780719099694
Publisert
2016-02-11
Utgiver
Manchester University Press
Vekt
685 gr
Høyde
234 mm
Bredde
156 mm
Dybde
17 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
216
Forfatter