Important . . . His lyrical encounters with a wide range of modern Delhiites reveal a novelist's ear and are beautifully sketched

* Telegraph *

A terrific portrait of Delhi right now and hits a lot of nails on the head

- SALMAN RUSHDIE,

Lyrical and haunting

* International New York Times *

Se alle

Achingly beautiful . . . and cleverly tangential

* Financial Times *

Intense, lyrical, erudite and powerful

* Observer *

Dasgupta peels back the layers of denial with insight, humanity and beautiful writing. He exposes festering wounds buts succeeds in fascinating rather than repelling

* The Times *

A remarkable and exhaustive account

* Independent *

Personal, original and vivid

* New Internationalist *

A remarkably elegant work whose rich style and sweep often brings to mind V S Naipaul's <i>A Million Mutinies Now</i>

* New Statesman *

Dasgupta's combination of reportage, political critique and oral history is mordant rather than dyspeptic, sorrowful rather than castigatory. But what makes it more than a local study, what makes it so haunting, is that its textured, tart accounts of the privatisation of public space, of the incestuous relationship between the political and business classes, of the precarity that renders daily life so fraught all apply as much to Britain and the west as they do to the Indian capital

* Guardian *

WINNER OF THE WINDHAM CAMPBELL PRIZE 2025
WINNER OF THE PRIX ÉMILE GUIMET DE LITTÉRATURE ASIATIQUE 2017
WINNER OF THE RYSZARD KAPUSCINSKI AWARD 2017
SHORTLISTED FOR THE ORWELL PRIZE 2015
SHORTLISTED FOR THE ROYAL SOCIETY OF LITERATURE ONDAATJE PRIZE 2015
SHORTLISTED FOR THE PRIX DU MEILLEUR LIVRE ÉTRANGER 2016


In Capital, Rana Dasgupta reveals the red-hot city which erupted from Delhi's economic boom in the 1990s and 2000s. Slums were bulldozed, luxury shopping malls erected in their place. The outer transformation, stern and abrupt, reached beyond mortar and into minds. Hundreds of thousands streamed in from rural hinterlands, and the city brimmed with possibility.

In this prescient account of the exultation and disparity that would emerge from India's globalisation, Rana Dasgupta shows us a city's rebirth - for better and worse - through the eyes of its people. Capital is a history, a warning and a looking glass. It is book for our times.

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Capital is Rana Dasgupta's Orwell Prize-shortlisted non-fiction debut: an unsparing, lyrical portrait of class and wealth disparity in Delhi

Produktdetaljer

ISBN
9781837263592
Publisert
2026-02-12
Utgiver
Canongate Books
Vekt
378 gr
Høyde
204 mm
Bredde
135 mm
Dybde
29 mm
Aldersnivå
00, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
480

Forfatter

Biografisk notat

Rana Dasgupta is the author of the short story collection Tokyo Cancelled, the novel Solo - which won the Commonwealth Writers' Prize 2010 for Best Book - and After Nations. Capital, his first work of non-fiction, was shortlisted for the Orwell Prize and the Ondaatje Prize in 2015, and won both the Ryszard Kapuscinski Award and the Émile Guimet Prize in 2017. He was awarded the Windham-Campbell Prize in 2025.