Produktdetaljer
Biografisk notat
Luis Alvarez is an associate professor of history at the University of California, San Diego. He is the author of The Power of the Zoot: Youth Culture and Resistance during World War II.
[<i>Chicanx Utopias</i>] opens new doors for understanding the complicated relationships that exist among television, film, music, art, people, politics, and social movements from the post-World War II years to the 2000s...This book is a valuable addition to the various conversations happening in Latinx/Chicanx studies, ethnic studies, cultural studies and many other disciplines. (Southwestern Historical Quarterly) Alvarez’s focus on utopias is a fresh take on Chicanx cultural history...Alvarez’s expansive interdisciplinary scholarship-covering over five decades of Chicanx popular culture-makes <i>Chicanx Utopias</i> an important addition to the fields of Chicanx cultural studies, Chicanx history, and pop culture studies, and to the scholarship on utopias. (Aztlán: A Journal of Chicano Studies) [Alvarez] provides a passionate, in-depth analysis of the social impact of these cultural productions, incorporating historical accounts, film assessments, and primary materials. An insightful analysis of Chicanx pop culture, this volume is sure to inspire new directions in future research on this subject. Every library should obtain a copy for its Chicanx studies and ethnic studies collections. (CHOICE) A comprehensive source on Chicanx popular culture... The book seems to be resourceful both for those interested in Chicanx (pop) culture and politics as well as for those studying the general connection between the media and political discourse. Furthermore, the book not only is a well-researched academic source contributing to the relevant literature but also proves to be an easy-to-follow read for the more casual reader. (H-Net Reviews) There is a long, rich tradition of scholarly attention to the study of utopia. Within this tradition, however, is the dearth of attention given to utopia in Chicanx history and culture . . . Any reader seeking the opportunity to learn about forms of utopia in Chicanx popular culture and varied examples of Chicanx popular culture will not be disappointed. . . . <i>Chicanx Utopias</i> carves a narrow analytical path through a broad field of cultural references, resulting in an impressive, additive contribution to Latinx studies, history, and popular culture. (Journal of American Culture) <i>Chicanx Utopias</i> is a valuable and timely study. The book's accessible writing style, focus on pop culture, and attention to how class, race, and gender intersect(ed) in the lives and works of the artists it discusses make it an important addition to contemporary Chicanx/Latinx studies. (Journal of American History) <i>Chicanx Utopias</i> is a dazzling intervention into the study of contemporary and historical Chicana/o/x popular culture that notably advances recent Latina/o/x studies scholarship on Blackness, music, and subcultures. (Latino Studies)
2023 Honorable Mention Best History Book, International Latino Book Awards
Broad and encompassing examination of Chicanx popular culture since World War II and the utopian visions it articulated
Amid the rise of neoliberalism, globalization, and movements for civil rights and global justice in the post–World War II era, Chicanxs in film, music, television, and art weaponized culture to combat often oppressive economic and political conditions. They envisioned utopias that, even if never fully realized, reimagined the world and linked seemingly disparate people and places. In the latter half of the twentieth century, Chicanx popular culture forged a politics of the possible and gave rise to utopian dreams that sprang from everyday experiences.
In Chicanx Utopias, Luis Alvarez offers a broad study of these utopian visions from the 1950s to the 2000s. Probing the film Salt of the Earth, brown-eyed soul music, sitcoms, poster art, and borderlands reggae music, he examines how Chicanx pop culture, capable of both liberation and exploitation, fostered interracial and transnational identities, engaged social movements, and produced varied utopian visions with divergent possibilities and limits. Grounded in the theoretical frameworks of Walter Benjamin, Stuart Hall, and the Zapatista movement, this book reveals how Chicanxs articulated pop cultural utopias to make sense of, challenge, and improve the worlds they inhabited.
Chapter 1. Salt of the Earth
Chapter 2. Brown-Eyed Soul
Chapter 3. Chico and Kotter
Chapter 4. No Human Being Is Illegal
Chapter 5. Border Reggae
Coda: Ngātahi
Acknowledgments
Notes
Bibliography
Index
[<i>Chicanx Utopias</i>] opens new doors for understanding the complicated relationships that exist among television, film, music, art, people, politics, and social movements from the post-World War II years to the 2000s...This book is a valuable addition to the various conversations happening in Latinx/Chicanx studies, ethnic studies, cultural studies and many other disciplines. (Southwestern Historical Quarterly) Alvarez’s focus on utopias is a fresh take on Chicanx cultural history...Alvarez’s expansive interdisciplinary scholarship-covering over five decades of Chicanx popular culture-makes <i>Chicanx Utopias</i> an important addition to the fields of Chicanx cultural studies, Chicanx history, and pop culture studies, and to the scholarship on utopias. (Aztlán: A Journal of Chicano Studies) [Alvarez] provides a passionate, in-depth analysis of the social impact of these cultural productions, incorporating historical accounts, film assessments, and primary materials. An insightful analysis of Chicanx pop culture, this volume is sure to inspire new directions in future research on this subject. Every library should obtain a copy for its Chicanx studies and ethnic studies collections. (CHOICE) A comprehensive source on Chicanx popular culture... The book seems to be resourceful both for those interested in Chicanx (pop) culture and politics as well as for those studying the general connection between the media and political discourse. Furthermore, the book not only is a well-researched academic source contributing to the relevant literature but also proves to be an easy-to-follow read for the more casual reader. (H-Net Reviews) There is a long, rich tradition of scholarly attention to the study of utopia. Within this tradition, however, is the dearth of attention given to utopia in Chicanx history and culture . . . Any reader seeking the opportunity to learn about forms of utopia in Chicanx popular culture and varied examples of Chicanx popular culture will not be disappointed. . . . <i>Chicanx Utopias</i> carves a narrow analytical path through a broad field of cultural references, resulting in an impressive, additive contribution to Latinx studies, history, and popular culture. (Journal of American Culture) <i>Chicanx Utopias</i> is a valuable and timely study. The book's accessible writing style, focus on pop culture, and attention to how class, race, and gender intersect(ed) in the lives and works of the artists it discusses make it an important addition to contemporary Chicanx/Latinx studies. (Journal of American History) <i>Chicanx Utopias</i> is a dazzling intervention into the study of contemporary and historical Chicana/o/x popular culture that notably advances recent Latina/o/x studies scholarship on Blackness, music, and subcultures. (Latino Studies)
2023 Honorable Mention Best History Book, International Latino Book Awards
Broad and encompassing examination of Chicanx popular culture since World War II and the utopian visions it articulated
Amid the rise of neoliberalism, globalization, and movements for civil rights and global justice in the post–World War II era, Chicanxs in film, music, television, and art weaponized culture to combat often oppressive economic and political conditions. They envisioned utopias that, even if never fully realized, reimagined the world and linked seemingly disparate people and places. In the latter half of the twentieth century, Chicanx popular culture forged a politics of the possible and gave rise to utopian dreams that sprang from everyday experiences.
In Chicanx Utopias, Luis Alvarez offers a broad study of these utopian visions from the 1950s to the 2000s. Probing the film Salt of the Earth, brown-eyed soul music, sitcoms, poster art, and borderlands reggae music, he examines how Chicanx pop culture, capable of both liberation and exploitation, fostered interracial and transnational identities, engaged social movements, and produced varied utopian visions with divergent possibilities and limits. Grounded in the theoretical frameworks of Walter Benjamin, Stuart Hall, and the Zapatista movement, this book reveals how Chicanxs articulated pop cultural utopias to make sense of, challenge, and improve the worlds they inhabited.
Chapter 1. Salt of the Earth
Chapter 2. Brown-Eyed Soul
Chapter 3. Chico and Kotter
Chapter 4. No Human Being Is Illegal
Chapter 5. Border Reggae
Coda: Ngātahi
Acknowledgments
Notes
Bibliography
Index