Volume 1: A Cultural History of Genocide in the Ancient World
Edited by Tristan Taylor, University of New England, Australia

1. Causes, Charlie Trimm
2. Motivations and Justifications, David Konstan
3. Perpetrators, Shawn Kelley
4. Victims, Richard J. G. Evans
5. Responses, David John Colwill
6. Consequences, Kathy L. Gaca
7. Representations, Clemens Koehn
8. Memory, Sarah Lawrence

Volume 2: A Cultural History of Genocide in the Middle Ages
Edited by Melodie H. Eichbauer, Florida Gulf Coast University, USA

1. Causes of Genocide: Distorted Reflections in the Mirror of the Middle Ages, Jonathan Elukin
2. Motivations and Justifications for Genocide: Forced Migration and Persecution as Imperial Policy in the Byzantine World, 550–1200, Edward M. Schoolman
3. Genocide Perpetrators: Early Middle Ages, David Bachrach and Bernard S. Bachrach
4. Genocide Victims: The Cleansing of Impurity, Kenneth Stow
5. Responses to Genocide: Coercion and Marginalization of Jews and Muslims in Gratian's Decretum, Anna Sapir Abulafia
6. Consequences of Genocide: Muslim Responses to the Crusades, Alexander Mallett
7. Representations of Genocide: Slaughter, Expulsion, and Enslavement in the Crusades to the Holy Land, Alan V. Murray
8. Genocide and Memory: An Unlikely Case Study, Piotr Górecki

Volume 3: A Cultural History of Genocide in the Early Modern World
Edited by Igor Pérez Tostado, Universidad Pablo de Olavide, Spain

1. Causes, Eamon Darcy
2. Motivations and Justifications, H. E. Braun
3. Perpetrators, Habtamu Tegegne
4. Victims, Bindu Malieckal
5. Responses, Igor Pérez Tostado
6. Consequences, Christophe Giudicelli
7. Representations, David El Kenz
8. Memory, Bartolomé Clavero

Volume 4: A Cultural History of Genocide in the Long Nineteenth Century
Edited by David Meola, University of South Alabama, USA

1. Causes, Lauren Faulkner Rossi
2. Motivations and Justifications, Adam Jones
3. Perpetrators, Stefanie Kunze and Alex Alvarez
4. Victims, Ashley Riley Sousa
5. Responses, Dean Pavlakis
6. Consequences, Adam A. Blackler
7. Representations, Cathie Carmichael
8. Memory, Jermaine O. McCalpin

Volume 5: A Cultural History of Genocide in the Era of Total War
Edited by Elisa von Joedon-Forgey, Stockton University, USA

1. Causes, Elisa von Joeden-Forgey
2. Motivations and Justifications, Ugur Ümit Üngör
3. Perpetrators, Paul R. Bartrop
4. Victims, Krista Hegburg
5. Responses, Hannibal Travis
6. Consequences, Henry C. Theriault
7. Representations, Jessica A. Evers
8. Memory, Khatchig Mouradian

Volume 6: A Cultural History of Genocide in the Modern World
Edited by Deborah Mayersen, University of New South Wales Canberra, Australia

1. The Causes of Genocide, Stephen McLoughlin
2. Motivations and Justifications for Genocide Since 1945, Maureen S. Hiebert
3. The Age of the Perpetrator, Kjell Anderson
4. Victims of Genocide, Deborah Mayersen
5. Responses to Genocide, Carrie Booth Walling
6. Consequences of Genocide, Wendy Lambourne
7. Representations of Genocide in Literature and Art, Jane M. Gangi
8. Genocide and Memory, Bridget Conley

The Cultural Histories are multi-volume sets that survey the social and cultural construction of specific subjects across six historical periods, broadly:

- Antiquity
- The Medieval Age
- The Early Modern Age
- The Age of Enlightenment
- The Age of Empire
- The Modern Age

The subjects covered range from Animals to Dress and Fashion, from Sport to Furniture, from Money to Fairy Tales. Each volume discusses the same themes in its chapters so that readers may gain an understanding of a period by reading an entire volume, or follow a theme through history by reading the relevant chapter in each volume. Each six-volume set is illustrated.

Titles are available as printed sets for libraries needing just one subject or preferring a one-off purchase and tangible reference for their shelves, or as part of a fully searchable digital library available to institutions by annual subscription or perpetual access (see www.bloomsburyculturalhistory.com).

PRAISE FOR THE SERIES
A Cultural History of Dress and Fashion
“Intriguing, surprising, and thought-provoking essays covering many cultural layers of dress history.”
CHOICE

A Cultural History of Fairy Tales
“A comprehensive treatise that belongs in every academic library concerned with a form of literature that has had broad appeal for centuries and continues to do so.”
CHOICE

A Cultural History of Hair
“A thick, tangled and deliciously idiosyncratic history of hair.”
Times Literary Supplement

A Cultural History of Law
“These introductions should be of great use to scholars from across the periods.”
Law & Literature

A Cultural History of Peace
“The set is a good introduction to the study of peace and encourages looking at world history in a new way.”
CHOICE

A Cultural History of Theatre
“All six volumes are aesthetically attractive, with well-chosen cover illustrations in color and numerous halftones throughout. Page layouts with wide margins, good paper, subtitles, generous bibliographies, notes, and index all add to the appeal.”
CHOICE

A Cultural History of Tragedy
“A highly contemporary work, alert to politics, social theory and sexuality.”
London Review of Books

A Cultural History of Western Empires
“Students seeking a comparative, interdisciplinary, and compelling account of the spread of Western empires will find much of interest here.”
CHOICE

A Cultural History of Work
“[Programs] such as economics, American and world history, women’s studies, and art history will benefit from the information herein.”
American Reference Books Annual