Publisher's description. The number one bestselling book from the author of <i>The Old Ways. </i>This is a celebration of the unique relationship between language and place; a field guide to nature writers from Roger Deakin to Nan Shepherd; and a glossary containing thousands of remarkable, poetic, funny, peculiar and endangered words to describe the natural world.
Penguin
Thoughtful and lyrical writing . . . It's gorgeous
- Katy Guest, Independent on Sunday
Enormously pleasurable, deeply moving . . . <i>Landmarks </i>is both a bid to save our rich hoard of landscape language, and a blow struck for the power of a deep creative relationship to place
Financial Times
<p>His writing has a confidence and enjoyment, a passionate purpose . . . he celebrates our vast, but evaporating, vocabulary for the landscape</p>
Daily Telegraph
A story like this is salutary...<i>Landmarks</i> is a book that ought to be read by policymakers, educators, armchair environmentalists and active conservationists the world over.
Guardian
The writing is full of clarity and internal reflections and the chapters ripple over into each other like a linked chain of mountain pools.... What is remarkable about these words is how precise they are, and how deeply local. They feel as if they somehow grew out of the land itself. A delight.
Sunday Times Magazine
The mood is one of celebration... [Landmarks is] the product of an active academic intelligence and emotional generosity, irradiated by <b>a profound sense of wonder</b>... Few books give such a sense of enchantment; it is <b>a book to give to many, and to return to repeatedly</b>
Independent
SHORTLISTED FOR THE SAMUEL JOHNSON PRIZE
SHORTLISTED FOR THE WAINWRIGHT PRIZE
From the bestselling author of UNDERLAND, THE OLD WAYS and THE LOST WORDS
'Few books give such a sense of enchantment; it is a book to give to many, and to return to repeatedly' Independent
Words are grained into our landscapes, and landscapes are grained into our words. Landmarks is about the power of language to shape our sense of place. It is a field guide to the literature of nature, and a glossary containing thousands of remarkable words used in England, Scotland, Ireland and Wales to describe land, nature and weather.
Travelling from Cumbria to the Cairngorms, and exploring the landscapes of Roger Deakin, J. A. Baker, Nan Shepherd and others, Robert Macfarlane shows that language, well used, is a keen way of knowing landscape, and a vital means of coming to love it.
'Enormously pleasurable, deeply moving. A bid to save our rich hoard of landscape language, and a blow struck for the power of a deep creative relationship to place' Financial Times
'A book that ought to be read by policymakers, educators, armchair environmentalists and active conservationists the world over' Guardian
Produktdetaljer
Biografisk notat
Robert Macfarlane's Sunday Times- and New York Times-bestselling books include Is a River Alive?, Underland, Landmarks, The Old Ways, The Wild Places and Mountains of the Mind, as well as a book-length prose-poem, Ness. His work has been translated into more than thirty languages, won prizes around the world, and been widely adapted for film, music, theatre, radio and dance. He has also written operas, plays, albums, choral works, and films including River and Mountain, both narrated by Willem Dafoe.
Macfarlane has collaborated closely with artists including Olafur Eliasson, and with the artist Jackie Morris he co-created the internationally bestselling books of nature-poetry and art, The Lost Words and The Lost Spells. In 2017, the American Academy of Arts and Letters awarded him the E.M. Forster Prize for Literature, and in 2023 in Toronto he was the inaugural winner of the Weston International Award for a body of work in the field of non-fiction. He is a Fellow of Emmanuel College, Cambridge, and is presently working on a graphic novel re-telling of the Epic of Gilgamesh.
Macfarlane and Morris's latest project, The Book of Birds, will be published in May 2026.