Revolutionary Things Material Culture and Politics in the Late Eighteenth-Century Atlantic World
Produktdetaljer
Biografisk notat
Ashli White is associate professor of history at the University of Miami. She is the author of Encountering Revolution: Haiti and the Making of the Early Republic. She lives in Miami, FL.Revolutionary Things Material Culture and Politics in the Late Eighteenth-Century Atlantic World
“By excavating the power of material objects and visual images to express the fervor and fear of the revolutionary era, Ashli White brings us closer to more fully embodied, more fully human, figures.”—Richard Rabinowitz, author of <i>Objects of Love and Regret: A Brooklyn Story</i><br /><br />“In this important, innovative book, Ashli White moves nimbly between North America, Europe, and the Caribbean to capture the richness and complexity of material culture in the Age of Revolutions.”—Michael Kwass, Johns Hopkins University<br /><br />“Envisioning <i>revolution</i> as the turning of a wheel—a cycling and circulating material thing—rather than as a new beginning offers fresh insights into how times of massive transformation can encompass enduring ways of life. White’s vivid and deeply researched account of the Atlantic Age of Revolutions takes its shape from the contested meanings of objects made, disseminated, and used in ways that show how even the most successful revolts against empires could still leave people firmly within their orbit.”—Vincent Brown, author of <i>Tacky’s Revolt: The Story of an Atlantic Slave War</i><br /><br />“By focusing not on inspirational texts but on the circulation of the material culture of everyday life, Ashli White’s exciting and deeply-researched study makes the Age of Revolutions look all the more intriguing.”—Colin Jones, author of <i>The Great Nation: France from Louis XV to Napoleon</i><br /><br />
“By excavating the power of material objects and visual images to express the fervor and fear of the revolutionary era, Ashli White brings us closer to more fully embodied, more fully human, figures.”—Richard Rabinowitz, author of Objects of Love and Regret: A Brooklyn Story
“In this important, innovative book, Ashli White moves nimbly between North America, Europe, and the Caribbean to capture the richness and complexity of material culture in the Age of Revolutions.”—Michael Kwass, Johns Hopkins University
Historian Ashli White explores the circulation of material culture during the American, French, and Haitian revolutions, arguing that in the late eighteenth century, radical ideals were contested through objects as well as in texts. She considers how revolutionary things, as they moved throughout the Atlantic, brought people into contact with these transformative political movements in visceral, multiple, and provocative ways.
Focusing on a range of objects—ceramics and furniture, garments and accessories, prints, maps, and public amusements—White shows how material culture held political meaning for diverse populations. Enslaved and free, women and men, poor and elite—all turned to things as a means to realize their varied and sometimes competing visions of revolutionary change.
“By excavating the power of material objects and visual images to express the fervor and fear of the revolutionary era, Ashli White brings us closer to more fully embodied, more fully human, figures.”—Richard Rabinowitz, author of <i>Objects of Love and Regret: A Brooklyn Story</i><br /><br />“In this important, innovative book, Ashli White moves nimbly between North America, Europe, and the Caribbean to capture the richness and complexity of material culture in the Age of Revolutions.”—Michael Kwass, Johns Hopkins University<br /><br />“Envisioning <i>revolution</i> as the turning of a wheel—a cycling and circulating material thing—rather than as a new beginning offers fresh insights into how times of massive transformation can encompass enduring ways of life. White’s vivid and deeply researched account of the Atlantic Age of Revolutions takes its shape from the contested meanings of objects made, disseminated, and used in ways that show how even the most successful revolts against empires could still leave people firmly within their orbit.”—Vincent Brown, author of <i>Tacky’s Revolt: The Story of an Atlantic Slave War</i><br /><br />“By focusing not on inspirational texts but on the circulation of the material culture of everyday life, Ashli White’s exciting and deeply-researched study makes the Age of Revolutions look all the more intriguing.”—Colin Jones, author of <i>The Great Nation: France from Louis XV to Napoleon</i><br /><br />
“By excavating the power of material objects and visual images to express the fervor and fear of the revolutionary era, Ashli White brings us closer to more fully embodied, more fully human, figures.”—Richard Rabinowitz, author of Objects of Love and Regret: A Brooklyn Story
“In this important, innovative book, Ashli White moves nimbly between North America, Europe, and the Caribbean to capture the richness and complexity of material culture in the Age of Revolutions.”—Michael Kwass, Johns Hopkins University
Historian Ashli White explores the circulation of material culture during the American, French, and Haitian revolutions, arguing that in the late eighteenth century, radical ideals were contested through objects as well as in texts. She considers how revolutionary things, as they moved throughout the Atlantic, brought people into contact with these transformative political movements in visceral, multiple, and provocative ways.
Focusing on a range of objects—ceramics and furniture, garments and accessories, prints, maps, and public amusements—White shows how material culture held political meaning for diverse populations. Enslaved and free, women and men, poor and elite—all turned to things as a means to realize their varied and sometimes competing visions of revolutionary change.