"Solnit's intelligent meditations may awaken us from our self-congratulatory coma. [Her] mid is fertile, wide-ranging, and capable of integrating the bewildering deluge of fact, political delusion, flights of genius, inconceivable danger, and cunning deceit that have characterized the nuclear age."
Los Angeles Times
"“The product of a stunningly original and expansive imagination. <i>Savage Dreams</i> ties together the histories of Yosemite National Park and the Nevada Test Site. . . . to illuminate the political stakes of how we think about, and act upon, the landscape.” "
SF Weekly
"Flinging her net wide, Solnit evokes powerful images of destruction and conquest as she explores governmental abuses in the region."
Publishers Weekly
"Solnit's ability to see these issues from several sides-to see the nuclear blasts as beautiful as well as terrible, James Savage as not just a butcher but as a complex man-make this a complicated, engaging work."
Environmental History Review
"Solnit's book is an important contribution to the growing body of work on 20th-century activism. It is from such portrayals of the problems faced in past episodes of activism that we may broaden our own understanding of the risks––and promise––of our own collective actions."
Science & Society
"Savage Dreams summons us to the campfires of resistance."—Mike Davis, author of City of Quartz
"Savage Dreams is about many things: despoliation and restoration, finding a voice between contemporary noise and silence, making friends and enemies. Most of all, though, it may be about a journey into history: about how understanding history and making it are not really very different."—Greil Marcus, author of Lipstick Traces
"A wonderful and important book, weaving past and present, politics and spirituality, land and history, pleasure and outrage, esthetics and activism, into a map where we as Americans find ourselves today. Intellectually challenging but beautifully written and eminently readable, Savage Dreams has both heart and teeth." —Lucy Lippard, author of Overlay: Contemporary Art and the Art of Prehistory