This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. In a unique approach to historical representations, the central question of this book is ‘what is history?’ By describing ‘history’ through its supplementary function to the field of history, rather than the ground of a study, this collection considers new insights into historical thinking and historiography across the humanities. It fosters engagement from around the disciplines in historical thinking and, from that, invites historians and philosophers of history to see clearly the impact of their work outside of their own specific fields, and encourages deep reflection on the role of historical production in society. As such, Theories of History opens up for the first time a truly cross-disciplinary dialogue on history and is a unique intervention in the study of historical representation. Essays in this volume discuss music history, linguistics, theater studies, paintings, film, archaeology and more. This book is essential reading for those interested in the practice and theories of history, philosophy, and the humanities more broadly. Readers of this volume are not only witness to, but also part of the creation of, radical new discourses in and ways of thinking about, doing and experiencing history.
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List of Figures List of Contributors Acknowledgements Editorial Note 1. Introduction: Evental History and the Humanities, Michael J. Kelly (State University of New York at Binghamton, USA) 2. From the Extended Mind to the Anthropocene: Rethinking Scale in Literary History, Arthur Rose (Durham University, UK) 3. How We Got Out of Music History, and How We Can Get Back into It, J. P. E. Harper-Scott (Royal Holloway, University of London, UK) 4. Humanist Matters, Adi Efal-Lautenschläger (University of Cologne, Germany) 5. The Rhetoric of Time and the Time of Rhetoric, Rik Peters (University of Groningen, Netherlands) 6. Past, Present, and Future, F. R. Ankersmit (University of Groningen, Netherlands) 7. The Nigerian "History Machine", Samaila Suleiman (Bayero University Kano, Nigeria) 8. History as a Scam: Confrontation and Resentment between Archaeology and History, Andre Szczawlinska Muceniecks (State University of Campinas, Brazil) 9. Alternative Forms of Historical Writing: Concepts and Facts in Goya’s Disasters of War, Javier López-Alós (Universidad Complutense de Madrid, Spain) 10. "Methods of Reasoning and Imagination": History's Failures and Capacities in Anglophone Design Research, Sarah Teasley (Royal College of Arts, UK) Notes Index
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The contributions are invariably thought provoking … [For] those in the field and interested in the theory of history it is a rewarding read and a valuable contribution on multiple levels.
An interdisciplinary analysis of representations of history, across the humanities and social sciences.
Provides an interdisciplinary approach by using scholarship removed from historical debate

Produktdetaljer

ISBN
9781350142992
Publisert
2019-11-28
Utgiver
Vendor
Bloomsbury Academic
Vekt
372 gr
Høyde
234 mm
Bredde
156 mm
Aldersnivå
U, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
264

Biographical note

Michael J. Kelly is Visiting Assistant Professor in Comparative Literature at the State University of New York at Binghamton, USA. He is the General Director of the project Networks and Neighbours and Co-General Director, with Dolores Castro, of the series Visigothic Symposia. Arthur Rose is a Postdoctoral Research Fellow in English Studies and Medical Humanities at Durham University, UK. He is the author of Literary Cynics: Borges, Beckett, Coetzee (Bloomsbury, 2017).