[A] densely argued work.

British Journal for the History of Science

A major intellectual triumph, an indispensible and enlightening read for all those interested in the early modern body and its senses.

History Workshop Journal

[This book is] based on prodigiously wide reading and solid scholarship.

The English Historical Review

Se alle

This book offers much new information on attitudes during the early modern period, attitudes that have been historically neglected ... [An] important piece of research.

Early Popular Visual Culture

...compelling...Vanities of the Eye offers readers a taste of the unexpected and fruitful complexities to be gained by turning a serious eye to the historical questions of sight.

Yvonne Gasper Institute for Historical Review

A densely argued but wonderfully subtle exploration of how, from the 15th to the 17th centuries, people developed a complex understanding of the relationship between what was seen and what was known.

PD Smith, The Guardian

Vanities of the Eye is dense with examples of the interpenetration of the weird, the wondrous and the mundane, drawn from a deep well of scholarship... A thoroughly satisfying read... 9 out of 10

Fortean Times

an impressive and authoritative contribution to the cultural historu of sight that will provide a substantial resource for scholars working in a number of fields.

Jane Partner, Renaissance Quarterly

Vanities of the Eye investigates the cultural history of the senses in early modern Europe, a time in which the nature and reliability of human vision was the focus of much debate. In medicine, art theory, science, religion, and philosophy, sight came to be characterised as uncertain or paradoxical - mental images no longer resembled the external world. Was seeing really believing? Stuart Clark explores the controversial debates of the time - from the fantasies and hallucinations of melancholia, to the illusions of magic, art, demonic deceptions, and witchcraft. The truth and function of religious images and the authenticity of miracles and visions were also questioned with new vigour, affecting such contemporary works as Macbeth - a play deeply concerned with the dangers of visual illusion. Clark also contends that there was a close connection between these debates and the ways in which philosophers such as Descartes and Hobbes developed new theories on the relationship between the real and virtual. Original, highly accessible, and a major contribution to our understanding of European culture, Vanities of the Eye will be of great interest to a wide range of historians and anyone interested in the true nature of seeing.
Les mer
Investigates the cultural history of the senses in early modern Europe. This book explores the controversial debates of the time - from the fantasies and hallucinations of melancholia, to the illusions of magic, art, demonic deceptions, and witchcraft. It is intended for a range of historians and those interested in the true nature of seeing.
Les mer
PREFACE ; 1. Species: Vision and values ; 2. Fantasies: Seeing without what was within ; 3. Prestiges: Illusions in magic and art ; 4. Glamours: Demons and virtual worlds ; 5. Images: The reformation of the eyes ; 6. Apparitions: The discernment of spirits ; 7. Sights: King Saul and King Macbeth ; 8. Seemings: Philosophical scepticism ; 9. Dreams: The epistemology of sleep ; 10. Signs: Vision and the new philosophy ; BIBLIOGRAPHY
Les mer
An original interpretation of theories of vision in early modern Europe Reveals how contemporary works such as Macbeth were affected A mix of diverse historical subjects from medicine & psychology, to demonology & witchcraft Essential reading that will have ramifications in all areas of cultural history
Les mer
Stuart Clark was born in 1942 in Marple, Cheshire. He studied at University of Wales, Swansea and at Cambridge. He was senior lecturer in the Department of History at UW Swansea from 1995-98 and then Professor from 1998 to the present. He has been a Member of the Institute for Advanced Study, Princeton, and Lilly Fellow at the National Humanities Centre, North Carolina. He was elected to the British Academy in 2000.
Les mer
An original interpretation of theories of vision in early modern Europe Reveals how contemporary works such as Macbeth were affected A mix of diverse historical subjects from medicine & psychology, to demonology & witchcraft Essential reading that will have ramifications in all areas of cultural history
Les mer

Produktdetaljer

ISBN
9780199250134
Publisert
2007
Utgiver
Oxford University Press
Vekt
889 gr
Høyde
240 mm
Bredde
165 mm
Dybde
27 mm
Aldersnivå
UU, UP, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
444

Forfatter

Biografisk notat

Stuart Clark was born in 1942 in Marple, Cheshire. He studied at University of Wales, Swansea and at Cambridge. He was senior lecturer in the Department of History at UW Swansea from 1995-98 and then Professor from 1998 to the present. He has been a Member of the Institute for Advanced Study, Princeton, and Lilly Fellow at the National Humanities Centre, North Carolina. He was elected to the British Academy in 2000.