By drawing from a wide array of sources, both methodologically and substantively, this edited volume invites the reader to engage with materiality in, through and as international law. It offers a groundbreaking collection of artefacts, which (in their own ways) interrogate the complex relationship between the normative and the material, the discursive and the tangible. By weaving their analysis of the objects with vivid images and pictures, the contributors provide snapshots of diverging 'ways of seeing' international law in theory and in practice. This 'visualisation of international law' quickly turns readers into spectators and calls for an inquiry into the politics of the gaze. Hence, the book is nothing less than an invitation to self-reflexivity in the exercise of seeing — or of avoiding seeing — the performances of international law.
Daniel R Quiroga-Villamarín, Melbourne Journal of International Law
A volume not to be missed.
Jus Gentium
This is certainly the most interesting and innovative international law book to have come out in recent years - and might just as well prove to be the most important one. ... because of its novel method of presentation and the accessible language used, this volume is capable of expanding the readership of international law beyond its relatively narrow academic confines.
Ignas Kalpokas, LSE Review of Books